António Bolota
Catarina Dias
João Queiroz
12 – 19 September
Online edition
For ARCOlisboa 2021, Galeria Vera Cortês presents three Portuguese artists from different generations, questioning the concept of perception and the set of relations triggered by its relation with the viewer.
António Bolota
António Bolota (1962), whose formation as an engineer inevitably influenced his practice as an artist, creates sculptures that challenge the spaces where they are located, as well as their architecture, using several different materials. Bolota is currently having a solo exhibition at Culturgest, Lisbon, “Mão de Obra” (until the 19th of September).

António Bolota, Untitled, 2021.
Paper Arches and balsa wood
36.5 x 29 x 1.5 cm. Uni
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António Bolota, Untitled, 2021. Paper Arches and balsa wood. 36.5 x 29 x 3 cm. Unique
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António Bolota, Untitled, 2021. Arches paper, balsa wood and pressed cardboard. 36.5x29x3.5 cm
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António Bolota, Untitled, 2021.
Arches paper, balsa wood, PVC and pressed cardboard
36.5x29x5.5 cm
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António Bolota, Untitled, 2021.
Paper Arches and balsa wood
36.5x29x6 cm
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António Bolota, Untitled, 2021.
Pressed cardboard and balsa wood
36.5x29x2 cm
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António Bolota, Untitled, 2021.
Pressed cardboard and balsa wood
36.5x29x2 cm
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António Bolota, Untitled, 2021. Arches paper, balsa wood and pressed cardboard. 36.5 x 29 x 1.5 cm. Unique
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António Bolota, Untitled, 2021.
Arches paper and pressed cardboard
36.5x29x9 cm
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António Bolota, Untitled, 2021.
Paper Arches and balsa wood
36.5x29x12.5 cm
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António Bolota, Untitled, 2021. Arches paper and balsa wood. 36.5 x 29 x2 cm. Unique
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António Bolota, Untitled, 2021.
Arches paper, balsa wood and pressed cardboard
36.5x29x3 cm
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António Bolota, Untitled, 2021.
Balsa wood
36.5x29x2 cm
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António Bolota, Untitled, 2021.
Balsa wood
36.5x29x2 cm
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Catarina Dias

Installation view: Catarina Dias, Galeria Vera Cortês, 2021.
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Catarina Dias, Crystal Clear, 2021. Ultrachrome inkjet and gouache on Fine art paper 270gr. 81.5×59.5 cm
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Catarina Dias, Plan 10, 2021. Ultrachrome inkjet and gouache on Fine art paper 270gr. 84.1×59.4 cm
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Catarina Dias, Recurring Inevitably, 2021. Ultrachrome inkjet and gouache on Fine art paper 270gr. 84.1×59.4 cm
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Catarina Dias, Maux, 2021. Ultrachrome inkjet and gouache on Fine art paper 270gr. 59.4×84.1 cm
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Catarina Dias (1979) associates plastic languages in an idiosyncratic way, reflecting the continuous mutation of the act of thinking in relation with what surround us.

Catarina Dias, A Distant Thunder, 2021. Ultrachrome inkjet and gouache on Fine art paper 270gr. 132.5×110 cm
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Catarina Dias
Burning Without a Shadow, 2021. Ultrachrome inkjet and gouache on Fine art paper 270gr. 161×110 cm
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João Queiroz

Installation view: João Queiroz, Galeria Vera Cortês, 2021.
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Through his paintings, João Queiroz (1957) wants to evade the categorical approach that limits the perception of what is really there, aiming to bring back the sense of estrangement that we have lost in relation to nature and, to some extent, also in relation to art itself as the result of passive contemplation.

João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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Installation view: João Queiroz, Galeria Vera Cortês, 2021.
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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João Queiroz, Untitled, 2018. Monotypy and encaustic on japanese paper. 38×46 cm
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