1 nova, 2 nem tanto

José Pedro Croft

12 March –27 June 2020

 

Opening hours: Tuesday – Friday, 2-7 pm (and by appointment)

Press release

 

Uma Escultura

José Pedro Croft

PORTA 14 Calçada do Correio Velho

19 March – 24 July

More info

 

José Pedro Croft. Sem Título, 2020
Photo: Pedro Pacheco
ART FAIRS

ART FAIRS

Art Brussels Platform – Gallery Viewer

28 May – 15 June 2020

 

André Romão

Daniel Gustav Cramer

Joana Escoval

João Queiroz

José Pedro Croft

 

GALERIA VERA CORTÊS

 

 

ART FAIRS

ART FAIRS

ARCOlisboa 2020 – Online edition

20 May – 14 June 2020

 

Céline Condorelli

Daniel Gustav Cramer

Gabriela Albergaria

Gonçalo Barreiros

Joana Escoval

João Louro

José Pedro Croft

 

NEW WORKS AVAILABLE

 

 

Público/Privado - Doce Calma ou Violência Doméstica?

With works by José Pedro Croft

Curated by Miguel Sousa Ribeiro

Centro de Artes de Sines, Portugal

13 June – 18 October 2020

More info

Mutações. The Last Poet

Joana Escoval

Curated by Pedro Lapa

Museu Coleção Berardo, Lisbon, Portugal

12 February – 16 August 2020

More info

 

John Wood and Paul harrison

A selection of videos is temporarily available at harrisonandwood.com

BOOKSHOP NEW ARRIVAL

BOOKSHOP NEW ARRIVAL

Nuno da Luz

“environments”
Eng
1-colour risograph, 29,7 x 18 cm
44 pages, hand-folded and bound
200 numbered copies
Published by ATLAS Projectos
October 2019

 

Eleven “environments” released over eleven years, starting with the ocean surf in 1969 and ending with a blizzard in 1979. This was the first record series to successfully market ambient sound recordings to a broad audience in the United States, with the purpose of being used as a mood enhancer and stress reliever. This publication brings together all the liner notes to the albums and their respective cover art, alongside an essay by the series’ creator Irv Teibel from 1984. Accompanied with an essay by Nuno da Luz on why Teibel pronounced that “the music of the future isn’t music”, and its links to Tony Conrad and the New York avant-garde of the time.

 

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