Ignasi Aballí / Works

Ignasi Aballí, Wrong Paintings, 2004-2023. Acrylic, oil, adhesive vinyl and dust on canvas. 4 x (25 x 30 cm). Unique
Ignasi Aballí, Wrong Paintings, 2004-2023. Acrylic, oil, adhesive vinyl and dust on canvas. 4 x (25 x 30 cm). Unique
Ignasi Aballí, Abandoned Painting I, 2004-2023. Dust on canvas. 22 x 28 cm
Ignasi Aballí, Abandoned Painting I, 2004-2023. Dust on canvas. 22 x 28 cm
Ignasi Aballí, Abandoned Painting II, 1997-2023. Dust on canvas.16 x 22 cm
Ignasi Aballí, Abandoned Painting II, 1997-2023. Dust on canvas.16 x 22 cm
Ignasi Aballí. Diptych Lápiz Rojo / Línea Roja. 2018. Collage (newspaper clippings) on paper. 32,5 x 22,5 x 3 cm each (framed)
Ignasi Aballí. Diptych Lápiz Rojo / Línea Roja. 2018. Collage (newspaper clippings) on paper. 32,5 x 22,5 x 3 cm each (framed)
Ignasi Aballí. Diptych Classificar/Pensar. 2018. Collage (newspaper clippings) on paper. 32,5 x 22,5 x 3 cm each (framed)
Ignasi Aballí. Diptych Classificar/Pensar. 2018. Collage (newspaper clippings) on paper. 32,5 x 22,5 x 3 cm each (framed)
Ignasi Aballí, Skin, 2020.
Transparent acrylic gel, wood. 24 x 24 cm
Ignasi Aballí, Skin, 2020.
Transparent acrylic gel, wood. 24 x 24 cm
Exhibition view:  Much Ado About Nothing, Angela Detanico / Rafael Lain, Charbel-joseph H. Boutros, Daniel Gustav Cramer, Ignasi Aballí, Karin Sander, Nicolás Lamas, Rémy Zaugg, Galeria Vera Cortês, 2023 
Exhibition view:  Much Ado About Nothing, Angela Detanico / Rafael Lain, Charbel-joseph H. Boutros, Daniel Gustav Cramer, Ignasi Aballí, Karin Sander, Nicolás Lamas, Rémy Zaugg, Galeria Vera Cortês, 2023 
Ignasi Aballí, Rejected Painting I, 2007-2023. Acrylic, scotch tape and dust on canvas. 112 x 112 cm
Ignasi Aballí, Rejected Painting I, 2007-2023. Acrylic, scotch tape and dust on canvas. 112 x 112 cm
Ignasi Aballí, Rejected Painting II, 2007-2023. Acrylic, scotch tape and dust on canvas. 112 x 112 cm
Ignasi Aballí, Rejected Painting II, 2007-2023. Acrylic, scotch tape and dust on canvas. 112 x 112 cm
Ignasi Aballí, Rejected Painting III, 2007-2023. Acrylic, scotch tape and dust on canvas. 112 x 112 cm
Ignasi Aballí, Rejected Painting III, 2007-2023. Acrylic, scotch tape and dust on canvas. 112 x 112 cm
Ignasi Aballí, Corrección, 2022. Site-specific installation (Spanish Pavilion, 59th Venice Art Biennale, Italy). Plasterboard walls. Measurements according to installation
Ignasi Aballí, Corrección, 2022. Site-specific installation (Spanish Pavilion, 59th Venice Art Biennale, Italy). Plasterboard walls. Measurements according to installation
Ignasi Aballí, Corrección, 2022. Site-specific installation (Spanish Pavilion, 59th Venice Art Biennale, Italy). Plasterboard walls. Measurements according to installation
Ignasi Aballí, Corrección, 2022. Site-specific installation (Spanish Pavilion, 59th Venice Art Biennale, Italy). Plasterboard walls. Measurements according to installation
Ignasi Aballí, Corrección, 2022. Site-specific installation (Spanish Pavilion, 59th Venice Art Biennale, Italy). Plasterboard walls. Measurements according to installation
Ignasi Aballí, Corrección, 2022. Site-specific installation (Spanish Pavilion, 59th Venice Art Biennale, Italy). Plasterboard walls. Measurements according to installation
Ignasi Aballí, Corrección, 2022. Site-specific installation (Spanish Pavilion, 59th Venice Art Biennale, Italy). Plasterboard walls. Measurements according to installation
Ignasi Aballí, Corrección, 2022. Site-specific installation (Spanish Pavilion, 59th Venice Art Biennale, Italy). Plasterboard walls. Measurements according to installation
Ignasi Aballí, Corrección, 2022. Site-specific installation (Spanish Pavilion, 59th Venice Art Biennale, Italy). Plasterboard walls. Measurements according to installation
Ignasi Aballí, Corrección, 2022. Site-specific installation (Spanish Pavilion, 59th Venice Art Biennale, Italy). Plasterboard walls. Measurements according to installation
Ignasi Aballí, Clasificados, 2008. Installation view at the Museo Nacional Centro de Arte Reina Sofía, Madrid, 2015
Ignasi Aballí, Clasificados, 2008. Installation view at the Museo Nacional Centro de Arte Reina Sofía, Madrid, 2015
Ignasi Aballí, Clasificados (amarillo), 2008. Acrylic and digital print on canvas. Diptych. Two parts of 200 x 190 cm each
Ignasi Aballí, Clasificados (amarillo), 2008. Acrylic and digital print on canvas. Diptych. Two parts of 200 x 190 cm each
Ignasi Aballí, Clasificados (blanco), 2008. Acrylic and digital print on canvas. Diptych. Two parts of 200 x 190 cm each
Ignasi Aballí, Clasificados (blanco), 2008. Acrylic and digital print on canvas. Diptych. Two parts of 200 x 190 cm each
Ignasi Aballí, Clasificados (negro), 2008. Acrylic and digital print on canvas. Diptych. Two parts of 200 x 190 cm each
Ignasi Aballí, Clasificados (negro), 2008. Acrylic and digital print on canvas. Diptych. Two parts of 200 x 190 cm each
Ignasi Aballí, Vitrinas CMYK, 2011. Methacrylate, digital prints, aluminium. Four parts of 180 x 180 x 60 cm each
 
Ignasi Aballí, Vitrinas CMYK, 2011. Methacrylate, digital prints, aluminium. Four parts of 180 x 180 x 60 cm each
 
Ignasi Aballí, Un paisaje posible, 2015. Site-specific installation (Museo Nacional Centro de Arte Reina Sofía, Madrid). Adhesive vinyl on glass. Variable dimensions depending on the installation
Ignasi Aballí, Un paisaje posible, 2015. Site-specific installation (Museo Nacional Centro de Arte Reina Sofía, Madrid). Adhesive vinyl on glass. Variable dimensions depending on the installation
Ignasi Aballí,
Un paisaje posible, 2015. Site-specific installation (Museo Nacional Centro de Arte Reina Sofía, Madrid). Adhesive vinyl on glass. Variable dimensions depending on the installation
Ignasi Aballí,
Un paisaje posible, 2015. Site-specific installation (Museo Nacional Centro de Arte Reina Sofía, Madrid). Adhesive vinyl on glass. Variable dimensions depending on the installation
Ignasi Aballí, Ventanas, 2006. Site-specific installation (Serralves Museum, Porto). Transparent acrylic gel on wall. Variable dimensions depending on the installation
Ignasi Aballí, Ventanas, 2006. Site-specific installation (Serralves Museum, Porto). Transparent acrylic gel on wall. Variable dimensions depending on the installation
Ignasi Aballí, Ventanas, 2006. Site-specific installation (Serralves Museum, Porto). Transparent acrylic gel on wall. Variable dimensions depending on the installation
Ignasi Aballí, Ventanas, 2006. Site-specific installation (Serralves Museum, Porto). Transparent acrylic gel on wall. Variable dimensions depending on the installation
Ignasi Aballí, Dobles lectures (Joyce/Periódico), 2014. Digital print on paper and on glass. Twelve parts of 100 x 100 cm each. Installation view, Fundació Joan Miró, Barcelona, 2016
Ignasi Aballí, Dobles lectures (Joyce/Periódico), 2014. Digital print on paper and on glass. Twelve parts of 100 x 100 cm each. Installation view, Fundació Joan Miró, Barcelona, 2016
Ignasi Aballí, Dobles lectures (Joyce/Periódico), 2014. Digital print on paper and on glass. Twelve parts of 100 x 100 cm each
Ignasi Aballí, Dobles lectures (Joyce/Periódico), 2014. Digital print on paper and on glass. Twelve parts of 100 x 100 cm each
Ignasi Aballí, Dobles lectures (Joyce/Periódico), 2014. Digital print on paper and on glass. Twelve parts of 100 x 100 cm each
Ignasi Aballí, Dobles lectures (Joyce/Periódico), 2014. Digital print on paper and on glass. Twelve parts of 100 x 100 cm each
Ignasi Aballí, Dobles lectures (Joyce/Periódico), 2014. Digital print on paper and on glass. Twelve parts of 100 x 100 cm each
Ignasi Aballí, Dobles lectures (Joyce/Periódico), 2014. Digital print on paper and on glass. Twelve parts of 100 x 100 cm each
Ignasi Aballí, Palabras vacías, 2019. Site-specific installation (Blueproject Foundation, Barcelona). Plasterboard walls and spray paint. Variable dimensions depending on the installation
Ignasi Aballí, Palabras vacías, 2019. Site-specific installation (Blueproject Foundation, Barcelona). Plasterboard walls and spray paint. Variable dimensions depending on the installation
Ignasi Aballí, Palabras vacías, 2019. Site-specific installation (Blueproject Foundation, Barcelona). Plasterboard walls and spray paint. Variable dimensions depending on the installation
Ignasi Aballí, Palabras vacías, 2019. Site-specific installation (Blueproject Foundation, Barcelona). Plasterboard walls and spray paint. Variable dimensions depending on the installation
Ignasi Aballí, Mapamundi (2014), 2015. Collages on paper. 114 parts of 33 x 23 cm each
Ignasi Aballí, Mapamundi (2014), 2015. Collages on paper. 114 parts of 33 x 23 cm each
Ignasi Aballí, Listados, 1998-2023. Digital prints on photographic paper. Series of several parts. 150 x 105 cm each
Ignasi Aballí, Listados, 1998-2023. Digital prints on photographic paper. Series of several parts. 150 x 105 cm each
Ignasi Aballí. Exhibition view: Sin principio / sin final. Museo de Arte de la Universidad Nacional de Colombia, Bogotá, 2017
Ignasi Aballí. Exhibition view: Sin principio / sin final. Museo de Arte de la Universidad Nacional de Colombia, Bogotá, 2017
Ignasi Aballí, Carta de colores (transparentes), 1996. Acrylic and adhesive vinyl on canvas. Twelve pieces of 16 x 22 cm
Ignasi Aballí, Carta de colores (transparentes), 1996. Acrylic and adhesive vinyl on canvas. Twelve pieces of 16 x 22 cm
Ignasi Aballí, Papel moneda. 2007. Shredded banknotes of 5, 10, 20, 50, 100, 200, 500 euros and a mixture of all of them. Eight parts of 100 x 100 cm each
Ignasi Aballí, Papel moneda. 2007. Shredded banknotes of 5, 10, 20, 50, 100, 200, 500 euros and a mixture of all of them. Eight parts of 100 x 100 cm each
Ignasi Aballí. Papel moneda. 2007.  Installation view at Museo de Arte Contemporáneo Helga de Alvear, 2021
Ignasi Aballí. Papel moneda. 2007.  Installation view at Museo de Arte Contemporáneo Helga de Alvear, 2021
Ignasi Aballí, Teoría, 2010. Site-specific installation (Pinacoteca de São Paulo, Brazil). Glass, iron, pigment, digital prints. Eight parts of 180 x 180 x 60 cm and one part of 200 x 200 x 200 x 200 cm
Ignasi Aballí, Teoría, 2010. Site-specific installation (Pinacoteca de São Paulo, Brazil). Glass, iron, pigment, digital prints. Eight parts of 180 x 180 x 60 cm and one part of 200 x 200 x 200 x 200 cm
Ignasi Aballí, Teoría, 2010. Site-specific installation (Pinacoteca de São Paulo, Brazil). Glass, iron, pigment, digital prints. Eight parts of 180 x 180 x 60 cm and one part of 200 x 200 x 200 x 200 cm
Ignasi Aballí, Teoría, 2010. Site-specific installation (Pinacoteca de São Paulo, Brazil). Glass, iron, pigment, digital prints. Eight parts of 180 x 180 x 60 cm and one part of 200 x 200 x 200 x 200 cm
Ignasi Aballí, Entre líneas IV, 2011. Digital prints on photographic paper. Overall dimensions, 200 x 250 cm
Ignasi Aballí, Entre líneas IV, 2011. Digital prints on photographic paper. Overall dimensions, 200 x 250 cm
Ignasi Aballí, Copia/Original, 2014. Collage on paper. Diptych, 33 x 23 cm each part
Ignasi Aballí, Copia/Original, 2014. Collage on paper. Diptych, 33 x 23 cm each part
Ignasi Aballí, Fin, 2013. Digital print on photographic paper. 50 x 40 cm
Ignasi Aballí, Fin, 2013. Digital print on photographic paper. 50 x 40 cm

Zoom 1 / 41 Ignasi Aballí, Wrong Paintings, 2004-2023. Acrylic, oil, adhesive vinyl and dust on canvas. 4 x (25 x 30 cm). Unique

Exhibitions

Bio

Born in Barcelona, Spain, in 1958.
Lives and works in Barcelona, Spain.

Graduated with a BA in Fine Art from the University of Barcelona. He has had several solo exhibitions, including at MACBA in Barcelona (2005), Fundação de Serralves in Porto (2006), IKON Gallery in Birmingham (2006), ZKM in Karlsruhe (2006), Pinacoteca do Estado de São Paulo, Brazil (2010), Museo Artium in Vitoria, Spain (2012), Museo Nacional Centro de Arte Reina Sofía, Madrid (2015), Fundación Joan Miró, Barcelona (2016), Museo de Arte de la Universidad Nacional de Colombia, Bogotá (2017), Galeria Kula (Split), and the Museum of Contemporary Art in Zagreb, Croatia (2018). He has had several gallery shows at Estrany-de la Mota in Barcelona, Elba Benítez in Madrid, and Meessen de Clercq in Brussels. He has also recently had gallery exhibitions at Proyecto Paralelo (Mexico City), Pedro Oliveira (Porto), and Nordenhake (Berlin). Aballí represented Spain in the 59th Venice Biennale in 2022. He has taken part in the 52nd Venice Biennale (2007), the 8th Sharjah Biennial (United Arab Emirates, 2007), the 11th Sidney Biennial (1998), the 4th Guangzhou Triennial (2012), and the 13th Cuenca Bienal (Ecuador, 2016). He was awarded the Joan Miró Prize in 2015.

Nasceu em Barcelona, Espanha, em 1958.
Vive e trabalha em Barcelona, Espanha.

Licenciado em Belas Artes pela Universidade de Barcelona. Entre as suas exposições individuais destacam-se instituições como MACBA, Barcelona (2005); Fundação de Serralves, Porto (2006); IKON Gallery, Birmingham (2006); ZKM, Karlsruhe (2006); Pinacoteca do Estado de São Paulo, Brasil (2010); Museo Artium em Vitoria, Espanha (2012); Museo Nacional Centro de Arte Reina Sofía, Madrid (2015); Fundación Joan Miró, Barcelona (2016); Museo de Arte de la Universidad Nacional de Colombia, Bogotá (2017); Galeria Kula (Split) e Museu de Arte Contemporânea de Zagreb, Croácia (2018). Realizou várias exposições em galerias como Estrany-de la Mota, em Barcelona; Elba Benítez, em Madrid; e Meessen de Clercq, em Bruxelas. Recentemente, expôs também em galerias como Proyecto Paralelo (Cidade do México), Pedro Oliveira (Porto) e Nordenhake (Berlim). Em 2022, Aballí representou Espanha na 59ª Bienal de Veneza.  Participou na 52ª Bienal de Veneza (2007), na 8ª Bienal de Sharjah (Emirados Árabes Unidos, 2007), na 11ª Bienal de Sidney (1998), na 4ª Trienal de Guangzhou (2012) e na 13ª Bienal de Cuenca (Equador, 2016). Foi galardoado com o Prémio Joan Miró em 2015.

Close