Daniel Blaufuks / Works

Exhibition view: Daniel Blaufuks, the days are numbered at MAAT – Museum of Art, Architecture and Technology, 2024 Exhibition view: Daniel Blaufuks, the days are numbered at MAAT – Museum of Art, Architecture and Technology, 2024
Exhibition view: Daniel Blaufuks, the days are numbered at MAAT – Museum of Art, Architecture and Technology, 2024 Exhibition view: Daniel Blaufuks, the days are numbered at MAAT – Museum of Art, Architecture and Technology, 2024
Exhibition view: Daniel Blaufuks, the days are numbered at MAAT – Museum of Art, Architecture and Technology, 2024 Exhibition view: Daniel Blaufuks, the days are numbered at MAAT – Museum of Art, Architecture and Technology, 2024
Daniel Blaufuks, São Tomé I (Mangustão), 2023. Inkjet print on baryta paper. 100 x 150 x 3 cm. Edition 3 + 2 AP Daniel Blaufuks, São Tomé I (Mangustão), 2023. Inkjet print on baryta paper. 100 x 150 x 3 cm. Edition 3 + 2 AP
Daniel Blaufuks, São Tomé III (Natureza Comestível), 2023. Inkjet print on baryta paper. 100 x 150 x 3 cm. Edition 3 + 2 AP Daniel Blaufuks, São Tomé III (Natureza Comestível), 2023. Inkjet print on baryta paper. 100 x 150 x 3 cm. Edition 3 + 2 AP
Daniel Blaufuks, Tropical Untitled, from the series ‘Tropical Melancholy’, 2023. Collage on Canson paper (photograph, ink, various clippings. 22 x 31 x 3 (framed). Unique Daniel Blaufuks, Tropical Untitled, from the series ‘Tropical Melancholy’, 2023. Collage on Canson paper (photograph, ink, various clippings. 22 x 31 x 3 (framed). Unique
Daniel Blaufuks, The Boat Trip (Departure), 2023. Inkjet print on baryta paper. Daniel Blaufuks, The Boat Trip (Departure), 2023. Inkjet print on baryta paper.
Daniel Blaufuks, THE SALVATION OF THE WORLD, 2023. Inkjet print on baryta paper. 120 x 16 cm. Ed. 3 + 2AP Daniel Blaufuks, THE SALVATION OF THE WORLD, 2023. Inkjet print on baryta paper. 120 x 16 cm. Ed. 3 + 2AP
Daniel Blaufuks, ASCENSION, 2023. Inkjet print on baryta paper. 160 x 110 cm. Ed. 3 + 2AP Daniel Blaufuks, ASCENSION, 2023. Inkjet print on baryta paper. 160 x 110 cm. Ed. 3 + 2AP
Exhibition view: Panorama, Daniel Blaufuks, Galeria Vera Cortês, 2023 Exhibition view: Panorama, Daniel Blaufuks, Galeria Vera Cortês, 2023
Daniel Blaufuks, THE BOAT TRIP (RETURN), 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP   Daniel Blaufuks, THE BOAT TRIP (RETURN), 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP  
Daniel Blaufuks, THE ABYSM OF FAITH, 2023. Inkjet print on baryta paper. 120 x 160 cm. Ed. 3 + 2 AP Daniel Blaufuks, THE ABYSM OF FAITH, 2023. Inkjet print on baryta paper. 120 x 160 cm. Ed. 3 + 2 AP
Daniel Blaufuks, THE REDISTRIBUTION OF WEALTH, 2023. Inkjet print on baryta paper. 120 x 160 cm. Ed. 3 + 2AP Daniel Blaufuks, THE REDISTRIBUTION OF WEALTH, 2023. Inkjet print on baryta paper. 120 x 160 cm. Ed. 3 + 2AP
Exhibition view: Panorama, Daniel Blaufuks, Galeria Vera Cortês, 2023 Exhibition view: Panorama, Daniel Blaufuks, Galeria Vera Cortês, 2023
Daniel Blaufuks, THE PERSISTENCE OF MEMORY, 2023. Inkjet print on baryta paper. 105 x 15 cm. Ed. 3 + 2AP Daniel Blaufuks, THE PERSISTENCE OF MEMORY, 2023. Inkjet print on baryta paper. 105 x 15 cm. Ed. 3 + 2AP
Exhibition view: Panorama, Daniel Blaufuks, Galeria Vera Cortês, 2023 Exhibition view: Panorama, Daniel Blaufuks, Galeria Vera Cortês, 2023
Daniel Blaufuks, ATOMIC KISS, 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP Daniel Blaufuks, ATOMIC KISS, 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP
Daniel Blaufuks, THE GREAT WAVE, 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP Daniel Blaufuks, THE GREAT WAVE, 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP
Daniel Blaufuks, MODERN NATURE, 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP Daniel Blaufuks, MODERN NATURE, 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP
Daniel Blaufuks, THE EYES OF SAINT LUCY, 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP Daniel Blaufuks, THE EYES OF SAINT LUCY, 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP
Daniel Blaufuks, AWAKENING, 2023. Inkjet print on baryta paper. 110 x 165 cm. Ed. 3 + 2AP Daniel Blaufuks, AWAKENING, 2023. Inkjet print on baryta paper. 110 x 165 cm. Ed. 3 + 2AP
Daniel Blaufuks, THE NIGHTWATCH, 2023. Inkjet print on baryta paper. 110 x 165 cm. Ed. 3 + 2AP Daniel Blaufuks, THE NIGHTWATCH, 2023. Inkjet print on baryta paper. 110 x 165 cm. Ed. 3 + 2AP
Exhibition view: Panorama, Daniel Blaufuks, Galeria Vera Cortês, 2023 Exhibition view: Panorama, Daniel Blaufuks, Galeria Vera Cortês, 2023
Daniel Blaufuks, THE GLEANERS, 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP Daniel Blaufuks, THE GLEANERS, 2023. Inkjet print on baryta paper. 110 x 160 cm. Ed. 3 + 2AP
Daniel Blaufuks, PANORAMA, 2023. Gouache, mirror on Canson paper. 22 x 31 cm. Unique Daniel Blaufuks, PANORAMA, 2023. Gouache, mirror on Canson paper. 22 x 31 cm. Unique
Daniel Blaufuks, ETHICS BEFORE AESTHETICS, 2023. Gouache, photography and collage on Canson paper. 22 x 31 cm. Unique Daniel Blaufuks, ETHICS BEFORE AESTHETICS, 2023. Gouache, photography and collage on Canson paper. 22 x 31 cm. Unique
Daniel Blaufuks, THE MORNING AFTER, 2023. Inkjet print on baryta paper. 120 x 160 cm. Ed. 3 + 2 AP Daniel Blaufuks, THE MORNING AFTER, 2023. Inkjet print on baryta paper. 120 x 160 cm. Ed. 3 + 2 AP
Daniel Blaufuks, IMPRESSION, SUNRISE, 2023. Inkjet print on baryta paper. 120 x 160 cm. Ed. 3 + 2 AP Daniel Blaufuks, IMPRESSION, SUNRISE, 2023. Inkjet print on baryta paper. 120 x 160 cm. Ed. 3 + 2 AP
Daniel Blaufuks, The Days Are numbered (August), 2022. Instant photographs mounted on paper, documents, graphite, ink. 21 x 29.7 cm (x 31). Unique Daniel Blaufuks, The Days Are numbered (August), 2022. Instant photographs mounted on paper, documents, graphite, ink. 21 x 29.7 cm (x 31). Unique
Daniel Blaufuks, Eternal Camera 1, 2018. Polished mirror, graphite. 21,8 x 30,5 cm. Edition 3 + 2 AP Daniel Blaufuks, Eternal Camera 1, 2018. Polished mirror, graphite. 21,8 x 30,5 cm. Edition 3 + 2 AP
Daniel Blaufuks, Eternal Camera 2, 2018. Polished mirror, graphite. 21,8 x 30,5 cm. Edition 3 + 2 AP Daniel Blaufuks, Eternal Camera 2, 2018. Polished mirror, graphite. 21,8 x 30,5 cm. Edition 3 + 2 AP
Daniel Blaufuks, Lisboa Clichê. Exhibition view: Pavilhão Preto, Museu da Cidade, Lisbon, 2022 Daniel Blaufuks, Lisboa Clichê. Exhibition view: Pavilhão Preto, Museu da Cidade, Lisbon, 2022
Daniel Blaufuks, Perpetual camera, 2020. Mirror, laser engraving. Ø 100 x 0,3 cm Daniel Blaufuks, Perpetual camera, 2020. Mirror, laser engraving. Ø 100 x 0,3 cm
Daniel Blaufuks, Cópia Original, 2020. Mirror, laser engraving. 29 x 21 cm Daniel Blaufuks, Cópia Original, 2020. Mirror, laser engraving. 29 x 21 cm
Daniel Blaufuks, Original Copy, 2020. Mirror, laser engraving. 29 x 21 cm Daniel Blaufuks, Original Copy, 2020. Mirror, laser engraving. 29 x 21 cm
Daniel Blaufuks, Hoje, nada II, 2019. Print on cotton paper Daniel Blaufuks, Hoje, nada II, 2019. Print on cotton paper
Exhibition view: Anna Franceschini + Daniel Blaufuks. 16-22 July 2020. Exhibition view: Anna Franceschini + Daniel Blaufuks. 16-22 July 2020.
Daniel Blaufuks, more pleasant adventures, 2018. Vintage lightbox, 3 sheets A4 with photographs assembled by and text written by the author, vynil. 45 x 110 Daniel Blaufuks, more pleasant adventures, 2018. Vintage lightbox, 3 sheets A4 with photographs assembled by and text written by the author, vynil. 45 x 110
Daniel Blaufuks, I selfish, 2018. Exhibition view at Porta 14 calçada do correio velho, Lisbon. Photo: photodocumenta Daniel Blaufuks, I selfish, 2018. Exhibition view at Porta 14 calçada do correio velho, Lisbon. Photo: photodocumenta
Exhibition view: Hoje, nada, Daniel Blaufuks, Pavilhão Branco, Lisbon, 2019 Exhibition view: Hoje, nada, Daniel Blaufuks, Pavilhão Branco, Lisbon, 2019
Exhibition view: Hoje, nada, Daniel Blaufuks, Pavilhão Branco, Lisbon, 2019 Exhibition view: Hoje, nada, Daniel Blaufuks, Pavilhão Branco, Lisbon, 2019
Exhibition view: Hoje, nada, Daniel Blaufuks, Pavilhão Branco, Lisbon, 2019 Exhibition view: Hoje, nada, Daniel Blaufuks, Pavilhão Branco, Lisbon, 2019
Daniel Blaufuks, Cópia original, #1 – #50, 2019. Inkjet printing on Hahnemühle cotton paper. 30 x 45 cm Daniel Blaufuks, Cópia original, #1 – #50, 2019. Inkjet printing on Hahnemühle cotton paper. 30 x 45 cm
Exhibition view: Cópia original, Daniel Blaufuks, Galeria Vera Cortês, 2019 Exhibition view: Cópia original, Daniel Blaufuks, Galeria Vera Cortês, 2019
Exhibition view: Daniel Blaufuks, Attempting Exhaustion, Galeria Vera Cortês, 2016 Exhibition view: Daniel Blaufuks, Attempting Exhaustion, Galeria Vera Cortês, 2016
Exhibition view: Daniel Blaufuks, Attempting Exhaustion, Galeria Vera Cortês, 2016 Exhibition view: Daniel Blaufuks, Attempting Exhaustion, Galeria Vera Cortês, 2016
Daniel Blaufuks, 20 de Julho de 2015 5:38, from the series Attempting Exhaustion, 2016. Inkjet print on paper. 110 × 160 cm Daniel Blaufuks, 20 de Julho de 2015 5:38, from the series Attempting Exhaustion, 2016. Inkjet print on paper. 110 × 160 cm
Daniel Blaufuks, Tentativa de esgotamento from the series Attempting Exhaustion, 2016. Inkjet print on paper. 33 x 48,5 cm Daniel Blaufuks, Tentativa de esgotamento from the series Attempting Exhaustion, 2016. Inkjet print on paper. 33 x 48,5 cm
Daniel Blaufuks, 26 de Junho de 2015 2:04, from the series Attempting Exhaustion, 2016. Inkjet print on paper. 100 × 150 cm Daniel Blaufuks, 26 de Junho de 2015 2:04, from the series Attempting Exhaustion, 2016. Inkjet print on paper. 100 × 150 cm
Daniel Blaufuks, 30 de Junho de 2016 3:19, from the series Attempting Exhaustion, 2016. Inkjet print on paper. 60 x 90 cm Daniel Blaufuks, 30 de Junho de 2016 3:19, from the series Attempting Exhaustion, 2016. Inkjet print on paper. 60 x 90 cm
Daniel Blaufuks, Panorama, 2016. Metal structure with slide viewers. 46 x 18 x 22 cm Daniel Blaufuks, Panorama, 2016. Metal structure with slide viewers. 46 x 18 x 22 cm
Exhibition view: Daniel Blaufuks, All the memory of the world, part one MNAC, 2014–2015 Exhibition view: Daniel Blaufuks, All the memory of the world, part one MNAC, 2014–2015
Exhibition view: Daniel Blaufuks, All the memory of the world, part one MNAC, 2014–2015 Exhibition view: Daniel Blaufuks, All the memory of the world, part one MNAC, 2014–2015
Daniel Blaufuks. Exhibition view: Utz, Vera Cortês Art Agency, 2012 Daniel Blaufuks. Exhibition view: Utz, Vera Cortês Art Agency, 2012
Daniel Blaufuks, Sun Pictures #3, 2012. Inkjet print on coton paper from original cyanotype. 160.5 × 111.5 cm Daniel Blaufuks, Sun Pictures #3, 2012. Inkjet print on coton paper from original cyanotype. 160.5 × 111.5 cm
Daniel Blaufuks. A Primeira Imagem, 2012. 14 Polaroids. 14 × (30.5 × 23.5 cm). Exhibition view: Utz, Vera Cortês Art Agency, 2012 Daniel Blaufuks. A Primeira Imagem, 2012. 14 Polaroids. 14 × (30.5 × 23.5 cm). Exhibition view: Utz, Vera Cortês Art Agency, 2012
Daniel Blaufuks, Self Portray, 2012. 2 monitors, sound, video. 2 x 10′, b/w, loop Daniel Blaufuks, Self Portray, 2012. 2 monitors, sound, video. 2 x 10′, b/w, loop
Daniel Blaufuks, Breakfast, 2005. Inkjet print on paper. 120 x 160 cm Daniel Blaufuks, Breakfast, 2005. Inkjet print on paper. 120 x 160 cm
Daniel Blaufuks, Untitled from the series Motel, 2005. Inkjet print on paper. 120 x 160 cm Daniel Blaufuks, Untitled from the series Motel, 2005. Inkjet print on paper. 120 x 160 cm

Zoom 1 / 60 Exhibition view: Daniel Blaufuks, the days are numbered at MAAT – Museum of Art, Architecture and Technology, 2024

Exhibitions

Bio

Daniel Blaufuks has worked on the relationship between public and private memory, a constant theme of inquiry in his work as a visual artist, pursued chiefly through photography and video and presented in installations, books and films. In 2007, he published Sob Céus Estranhos (Tinta-da-china) – based on his film Under Strange Skies from 2002 – which earned him the award for best photography book of the year in the international category at PhotoEspaña. He was also awarded a prize in 2007 for his work about a concentration camp in the Czech Republic, additionally presented in the book Terezín (Steidl, 2010) and the film As If (2014). In 2016, he won the AICA/MC/Millennium BCP Visual Arts Award for the exhibitions Attempting Exhaustion and Léxico. More recently, he has published Não Pai (Tinta-da-china, 2019) and Lisboa Clichê (Tinta-da-china, 2021). He has a PhD from the University of Wales, for which he wrote his thesis on the relationship of photography and cinema to the work of W. G. Sebald and Georges Perec and to the themes of memory and the Holocaust.

His films – “expanded photographs” – have been shown at various film festivals and his latest works examine the resistance to German occupation in Brittany and colonialism in São Tomé and Príncipe.

Daniel Blaufuks tem trabalhado sobre a relação entre a memória pública e a memória privada, um tema que é uma das constantes interrogações no seu trabalho como
artista visual, recorrendo principalmente à fotografia e ao vídeo e apresentando-o
em instalações, livros e filmes. Em 2007, publicou Sob Céus Estranhos (Tinta-da- china) – baseado no seu filme de 2002 com o mesmo título –, que lhe valeria o prémio de melhor livro de fotografia na PhotoEspaña. Foi também premiado em 2007 pelo seu trabalho sobre um campo de concentração na República Checa, também apresentado no livro Terezín (Steidl, 2010) e no filme As If (2014). Em 2016, recebeu o prémio AICA pelas exposições Tentativa de Esgotamento e Léxico. Mais recentemente, publicou Não Pai (Tinta-da-china, 2019) e Lisboa Clichê (Tinta-da-china, 2021).

É doutorado pela University of Wales, com uma tese sobre fotografia e cinema
em relação com as obras de W. G. Sebald e Georges Perec, e com os temas da memória e o Holocausto. Os seus filmes – “fotografias expandidas” – têm sido apresentados em diversos festivais de cinema e os seus trabalhos mais recentes abordam a resistência à ocupação alemã na Bretanha e o colonialismo em São Tomé e Príncipe.

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