Céline Condorelli
Cotton Rubber, 2017
Two-colour silk screen prints on red fabriano paper
8 x (60 x 90 cm)
Exhibition view: Zanzibar, Céline Condorelli, Galeria Vera Cortês, 2018
Exhibition view: Zanzibar, Céline Condorelli, Galeria Vera Cortês, 2018
Céline Condorelli
Plant Study: Monstera Deliciosa, 2018
Wax print on drafting film, stained with watercolour and acrylic ink
59,4 x 42 cm
Céline Condorelli
Plant Study: Howea Forsteriana, 2018
Wax print on drafting film, stained with watercolour and acrylic ink
59,4 x 42 cm
Céline Condorelli
Proposal for a Qualitative Society (Spinning) 3, 2017
Coloured pencil on sketch paper
21 x 29.7 cm
Céline Condorelli
Proposal for a Qualitative Society (Spinning) 5, 2017
Coloured pencil on sketch paper
21 x 29.7 cm
Céline Condorelli
Caveman Holes 5, 2017
Masking tape and inkjet print on cotton paper
110 x 82 cm
Céline Condorelli
Untitled, 2017
Masking tape on wall
260 x 300 cm
Exhibition view at The pull of a well placed comma at MACE Museu de Arte Contemporânea de Elvas, 2018
Céline Condorelli
Study for The Model (Palle Nielsen, A Model for a Qualitative Society, Moderna Museet Stockholm, 1968), 2017
Inkjet print on 100% cotton paper
119 × 84 cm
Céline Condorelli
Study for Tools for Imagination (The playgrounds and play objects of Aldo van Eyck, Amsterdam, 1947-1968), 2017
Inkjet print on 100% cotton paper
119 × 84 cm
Céline Condorelli
Installation view: Zanzibar, Kings Cross Project, London (photo: Thierry Bal)
Céline Condorelli
Installation view: Corps á Corps, sculpture garden, building site, IMA, Brisbane
Céline Condorelli
Epilogue, 2017
Exhibition view at IMA Brisbane, Australia
Photo by Jaala Alex
Céline Condorelli
Average Spatial Compositions I, 2016
Mild steel, plywood, upholstery, fabric, paint
168 × 129 × 100 cm
Céline Condorelli
Average Spatial Compositions I (detail), 2016
Mild steel, plywood, upholstery, fabric, paint
168 × 129 × 100 cm
Céline Condorelli
bau bau bau, 2015
Colour inkjet print on 115 gsm MG Blueback paper
Average Spatial Compositions, 2015
Mild steel, plywood, upholstery, fabric, paint
Céline Condorelli
How Things Appear, after Carlo Scarpa, 2016; Afterimage 4, 2016
Céline Condorelli
Portal: Chinatown, 2016
Installation view at Cains Brewery, Liverpool Biennial 2016 (Photo: Mark McNulty)
Céline Condorelli
How Things Appear, after Carlo Scarpa, 2016; Afterimage 5, 2016
Céline Condorelli
Proposals for a Qualitative Society (Spinning) 3, BPD, Amsterdam
Céline Condorelli
Models for a Qualitative Society, 2016
Painted blackwood acacia, steel
Céline Condorelli
Conversation Piece, 2016
Installation view at MASP, São Paulo Museum of Art
Céline Condorelli
Conversation Piece, 2016
Installation view at MASP, São Paulo Museum of Art
Céline Condorelli
Corps à Corps [Head On], Gwangju Biennale, 2016.
Photo by J. Arens
Céline Condorelli
Nerofumo [Carbon Black], 2014 (detail)
Exhibition bau bau, curated by Andrea Lissoni, Pirelli HangarBicocca, 2015
Céline Condorelli
Contact Patch, (Register of Collective Labour, Pirelli Factory, Settimo Torinese) I, 2016
Photo polymer print on 100% cotton paper
Edition of 3
Céline Condorelli
Contact Patch, (Register of Collective Labour, Pirelli Factory, Settimo Torinese) II, 2016
Photo polymer print on 100% cotton paper
Edition of 3
Céline Condorelli
Concrete Distractions, Installation view, Kunsthalle Lissabon, 2016
Céline Condorelli
Something Stronger than Skepticism, 2011
Five framed overprint risographs, vegetable dye on newsprint
42 x 29,7 cm
13 colour silkscreen print on Fabriano Rosaspina 280 gram paper
70.7 × 50 cm