Céline Condorelli / Works

Céline Condorelli, ‘Prologue’, 2022, with ‘Brise Soleil’ (2020), ‘Props’ (2020–22), ‘A Lot for a Little’ (2022), ‘Alteration to Existing Conditions (windows)’. Courtesy the artist and Talbot Rice Gallery
Céline Condorelli, ‘Prologue’, 2022, with ‘Brise Soleil’ (2020), ‘Props’ (2020–22), ‘A Lot for a Little’ (2022), ‘Alteration to Existing Conditions (windows)’. Courtesy the artist and Talbot Rice Gallery
Céline Condorelli, ouah wau bau (wuff woof), 2022. Installation view: Sculpture Garden, Geneva Biennale, Switzerland. Photo: Julien Gremaud. Courtesy: Sculpture Garden 2022
Céline Condorelli, ouah wau bau (wuff woof), 2022. Installation view: Sculpture Garden, Geneva Biennale, Switzerland. Photo: Julien Gremaud. Courtesy: Sculpture Garden 2022
Céline Condorelli. Exhibition view: Revision -part II, Heidelberger Kunstverein, 2022. Photo: Lys Y. Seng
Céline Condorelli. Exhibition view: Revision -part II, Heidelberger Kunstverein, 2022. Photo: Lys Y. Seng
Exhibition view: Céline Condorelli, Diversions, Galeria Vera Cortês, 2022
Exhibition view: Céline Condorelli, Diversions, Galeria Vera Cortês, 2022
Céline Condorelli, Limits To Play (Badmington, Basketball, Football, Pétanque), 2022. Vinyl. 500 x 340 x 290 cm. Unique
Céline Condorelli, Limits To Play (Badmington, Basketball, Football, Pétanque), 2022. Vinyl. 500 x 340 x 290 cm. Unique
Céline Condorelli, 1920 (Football), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1920 (Football), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1977 (Pétanque), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1977 (Pétanque), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1956 (Badmington), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1956 (Badmington), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1921 (Basketball), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 60 x 42,5 cm. Unique
Céline Condorelli, 1921 (Basketball), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 60 x 42,5 cm. Unique
Céline Condorelli, 1926 (Marathon), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 60 x 42,5 cm. Unique
Céline Condorelli, 1926 (Marathon), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 60 x 42,5 cm. Unique
Céline Condorelli, Brise-Soleil, 2020. Textile, rope, wood, rock. Variable dimensions. Ed. 3 + 1 AP
Céline Condorelli, Brise-Soleil, 2020. Textile, rope, wood, rock. Variable dimensions. Ed. 3 + 1 AP
Céline Condorelli, Props (arrow), 2020. Powder coated steel tubing, concrete stand, potted Philodendron Scandens. 220 x 90 cm (approx.). Unique
Céline Condorelli, Props (arrow), 2020. Powder coated steel tubing, concrete stand, potted Philodendron Scandens. 220 x 90 cm (approx.). Unique
Céline Condorelli, Props (triangles), 2020. Powder coated steel tubing, concrete stand, potted Philodendron Scandens. 220 x 90 cm (approx.). Unique
Céline Condorelli, Props (triangles), 2020. Powder coated steel tubing, concrete stand, potted Philodendron Scandens. 220 x 90 cm (approx.). Unique
Exhibition view: Céline Condorelli with Ben Rivers and Jay Bernard: After Work, South London Gallery, 2022. Photo: Andy Stagg
Exhibition view: Céline Condorelli with Ben Rivers and Jay Bernard: After Work, South London Gallery, 2022. Photo: Andy Stagg
Exhibition view: Céline Condorelli with Ben Rivers and Jay Bernard: After Work, South London Gallery, 2022. Photo: Andy Stagg
Exhibition view: Céline Condorelli with Ben Rivers and Jay Bernard: After Work, South London Gallery, 2022. Photo: Andy Stagg
Céline Condorelli, Study for Tools for Imagination (The playgrounds and play objects of Aldo van Eyck, Amsterdam, 1947- 1968), 2017. One colour silk screen and inkjet print on 100% cotton paper. 119 x 84 cm. Edition of 3 + 1 AP
Céline Condorelli, Study for Tools for Imagination (The playgrounds and play objects of Aldo van Eyck, Amsterdam, 1947- 1968), 2017. One colour silk screen and inkjet print on 100% cotton paper. 119 x 84 cm. Edition of 3 + 1 AP
Céline Condorelli, Pattern Study for Playgrounds (Lina Bo Bardi, first proposal for a Museu de Arte de São Paulo, 1965), 2017. Hand drawing on inkjet print on 100% cotton paper. 119 x 84 cm. Unique
Céline Condorelli, Pattern Study for Playgrounds (Lina Bo Bardi, first proposal for a Museu de Arte de São Paulo, 1965), 2017. Hand drawing on inkjet print on 100% cotton paper. 119 x 84 cm. Unique
Céline Condorelli, More permanent than snow, 2019. Polyurethane, sand. (17 x) variable dimensions. Ed.1/2
Céline Condorelli, More permanent than snow, 2019. Polyurethane, sand. (17 x) variable dimensions. Ed.1/2
Céline Condorelli, Studies for Tools for Imagination, 2020. Pen and coloured pencil on 25gsm, detail paper, vinyl stickers
Céline Condorelli, Studies for Tools for Imagination, 2020. Pen and coloured pencil on 25gsm, detail paper, vinyl stickers
Céline Condorelli. Exhibition view, Dos años de vacaciones, TEA Tenerife Espacio de las Artes, Tenerife, Spain, 2021
Céline Condorelli. Exhibition view, Dos años de vacaciones, TEA Tenerife Espacio de las Artes, Tenerife, Spain, 2021
Céline Condorelli, Aural Studies, Nottingham Contemporary, 2021
Céline Condorelli, Aural Studies, Nottingham Contemporary, 2021
Céline Condorelli, Revision – part II (2010). Installation view: Cell Project Space, London. Photo: Milika Muritu
Céline Condorelli, Revision – part II (2010). Installation view: Cell Project Space, London. Photo: Milika Muritu
Céline Condorelli. Installation view, Singapore Art Museum, Singapore, 2019. Photograph by Singapore Art Museum
Céline Condorelli. Installation view, Singapore Art Museum, Singapore, 2019. Photograph by Singapore Art Museum
Céline Condorelli. Installation view, Singapore Art Museum, Singapore, 2019. Photograph by Singapore Art Museum
Céline Condorelli. Installation view, Singapore Art Museum, Singapore, 2019. Photograph by Singapore Art Museum
Céline Condorelli. Host/Vœrt, 2019
Installation view, Kunsthal Aarhus, Aarhus. Photograph by Mikkel Kaldal
Céline Condorelli. Host/Vœrt, 2019
Installation view, Kunsthal Aarhus, Aarhus. Photograph by Mikkel Kaldal
Céline Condorelli. Host/Vœrt, 2019
Installation view, Kunsthal Aarhus, Aarhus. Photograph by Mikkel Kaldal
Céline Condorelli. Host/Vœrt, 2019
Installation view, Kunsthal Aarhus, Aarhus. Photograph by Mikkel Kaldal
Céline Condorelli. Installation view, 12th Kaunas Biennal, Lithuania, 2019. Photograph by Adrian Catu
Céline Condorelli. Installation view, 12th Kaunas Biennal, Lithuania, 2019. Photograph by Adrian Catu
Céline Condorelli, Concrete Distractions, Installation view, Kunsthalle Lissabon, 2016
Céline Condorelli, Concrete Distractions, Installation view, Kunsthalle Lissabon, 2016
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
 
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
 
Céline Condorelli, Epilogue, white, 2018. Locally sourced green corrugated fibreglass, brass, aluminium, steel. 180 × 420 cm. Unique
Céline Condorelli, Epilogue, white, 2018. Locally sourced green corrugated fibreglass, brass, aluminium, steel. 180 × 420 cm. Unique
Céline Condorelli, Plant Study: Howea Forsteriana, 2018. Wax print on drafting film, stained with watercolour and acrylic ink. 59,4 x 42 cm
Céline Condorelli, Plant Study: Howea Forsteriana, 2018. Wax print on drafting film, stained with watercolour and acrylic ink. 59,4 x 42 cm
Céline Condorelli, Plant Study: Monstera Deliciosa, 2018. Wax print on drafting film, stained with watercolour and acrylic ink. 59,4 x 42 cm
Céline Condorelli, Plant Study: Monstera Deliciosa, 2018. Wax print on drafting film, stained with watercolour and acrylic ink. 59,4 x 42 cm
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli, Epilogue, green, 2018. Locally sourced green corrugated fibreglass, brass, aluminium, steel. 180 × 420 cm. Unique
Céline Condorelli, Epilogue, green, 2018. Locally sourced green corrugated fibreglass, brass, aluminium, steel. 180 × 420 cm. Unique
Céline Condorelli, Proposals for a Qualitative Society (Spinning), 2017. Installation view, Stroom Den Haag. Photograph: Gerrit Schreurs.
Céline Condorelli, Proposals for a Qualitative Society (Spinning), 2017. Installation view, Stroom Den Haag. Photograph: Gerrit Schreurs.
Céline Condorelli, Conversation Piece, 2016. Installation view at MASP, São Paulo Museum of Art
Céline Condorelli, Conversation Piece, 2016. Installation view at MASP, São Paulo Museum of Art
Céline Condorelli, Models for a Qualitative Society, 2016
Painted blackwood acacia, steel
Céline Condorelli, Models for a Qualitative Society, 2016
Painted blackwood acacia, steel
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 5, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 5, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 4, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 4, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 3, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 3, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Something Stronger than Skepticism, 2011. Five framed overprint risographs, vegetable dye on newsprint. 5 x (42 x 29,7 cm)
Céline Condorelli, Something Stronger than Skepticism, 2011. Five framed overprint risographs, vegetable dye on newsprint. 5 x (42 x 29,7 cm)
Céline Condorelli, Something Stronger than Skepticism, 2011. Five framed overprint risographs, vegetable dye on newsprint. 5 x (42 x 29,7 cm)
Céline Condorelli, Something Stronger than Skepticism, 2011. Five framed overprint risographs, vegetable dye on newsprint. 5 x (42 x 29,7 cm)
Céline Condorelli, Afterimage 4, 2016. 13 colour silkscreen print on Fabriano Rosaspina 280 gram paper . 70.7 × 50 cm
Céline Condorelli, Afterimage 4, 2016. 13 colour silkscreen print on Fabriano Rosaspina 280 gram paper . 70.7 × 50 cm

Zoom 1 / 46 Céline Condorelli, ‘Prologue’, 2022, with ‘Brise Soleil’ (2020), ‘Props’ (2020–22), ‘A Lot for a Little’ (2022), ‘Alteration to Existing Conditions (windows)’. Courtesy the artist and Talbot Rice Gallery

Exhibitions

Bio

Céline Condorelli lives and works between London and Lisbon. A selection of exhibitions and projects include: Céline Condorelli: After Work, South London, UK (2022); Our Silver City 2094, Nottingham Contemporary, Nottingham, UK (2022); Dos años de vacaciones, TEA, Tenerife, Spain (2021); Deux ans de vacances, FRAC Lorraine – Metz, France (2020); Ground Control, Bildmuseet, Umeå, Sweden (2020); Every Step in the Right Direction, Singapore Biennial (2019); Art Encounters Biennial, Timisoara, Romania (2019); Céline Condorelli, Kunsthaus Pasquart, Biel, Switzerland (2019); Host / Vært, Kunsthal Aarhus, Denmark (2019); Zanzibar (commissioned sculpture), King’s Cross Projects, London, UK (2019); Geometries, Locus Athens, Greece (2018); Anren Biennale, Chengdu, China (2018); Céline Condorelli: Epilogue, P!, New York, USA (2017); Wall to Wall, Museum of Contemporary Art Leipzig, Germany (2017); Proposals for a Qualitative Society (Spinning), Stroom Den Haag, The Hague, Netherlands (2017); Corps à Corps, IMA Brisbane, Australia (2017); Conversation Piece (commissioned sculptures), MASP, São Paulo, Brazil; The Eighth Climate (What Does Art Do?), Gwangju Biennale, South Korea (2016); Liverpool Biennial, UK (2016); 20th Biennial of Sidney, Australia (2016); Display Show, Stroom den Haag, Eastside Projects, Temple Bar Gallery, The Hague, Birmingham, Dublin (2015–2016); bau bau, HangarBicocca, Milan, Italy (2014).

Céline Condorelli vive e trabalha entre Londres e Lisboa. Uma seleção de exposições e projetos inclui: Céline Condorelli: After Work, South London, Reino Unido (2022); Our Silver City 2094, Nottingham Contemporary, Nottingham, Reino Unido (2022); Dos años de vacaciones, TEA Tenerife Espacio de las Artes, Tenerife, Espanha (2021); Deux ans de vacances, FRAC Lorraine – Metz, França (2020); Ground Control, Bildmuseet, Umeå, Suécia (2020); Every Step in the Right Direction, Singapore Biennial (2019); Art Encounters Biennial, Timisoara, Roménia (2019); Céline Condorelli, Kunsthaus Pasquart, Biel, Suíça (2019); Host / Vært, Kunsthal Aarhus, Dinamarca (2019); Zanzibar, King’s Cross Projects, Londres, Reino Unido (2019); Geometries, Locus Athens, Grécia (2018); Anren Biennial, Chengdu, China (2018); Céline Condorelli: Epilogue, P!, Nova Iorque, EUA (2017); Wall to Wall, Museum of Contemporary Art Leipzig, Alemanha (2017); Proposals for a Qualitative Society (Spinning), Stroom Den Haag, Haia, Países Baixos (2017); Corps à Corps, IMA Brisbane, Austrália (2017); Conversation Piece (commissioned sculptures), MASP, São Paulo, Brasil; The Eighth Climate (What Does Art Do?), Gwangju Biennial, Coreia do Sul (2016); Liverpool Biennial, Reino Unido (2016); 20th Biennial of Sidney, Australia (2016); Display Show, Stroom den Haag, Eastside Projects, Temple Bar Gallery, The Hague, Birmingham, Dublim (2015–2016); bau bau, HangarBicocca, Milão, Itália (2014).

Close