Céline Condorelli / Works

Céline Condorelli, Untitled (to Rosa Luxemburg) (deta, 2024. Stainless steel, powder coat. 350 x 100 x 54 cm. Unique
Céline Condorelli, Untitled (to Rosa Luxemburg) (deta, 2024. Stainless steel, powder coat. 350 x 100 x 54 cm. Unique
Céline Condorelli, Museum Hours (751), 2024. Ink on paper. 25 x 33.7 x 3 cm. Unique
Céline Condorelli, Museum Hours (751), 2024. Ink on paper. 25 x 33.7 x 3 cm. Unique
Céline Condorelli, Museum Hours (697). Ink on paper. 25 x 33.7 x 3 cm. Unique
Céline Condorelli, Museum Hours (697). Ink on paper. 25 x 33.7 x 3 cm. Unique
Céline Condorelli, Museum Hours (1141) Museum Hours (3582). Ink on paper. 2 x (25 x 33.7 x 3 cm). Unique
Céline Condorelli, Museum Hours (1141) Museum Hours (3582). Ink on paper. 2 x (25 x 33.7 x 3 cm). Unique
Céline Condorelli, Museum Hours (6380) Museum Hours (145). Ink on paper. 2 x (25 x 33.7 x 3 cm). Unique
Céline Condorelli, Museum Hours (6380) Museum Hours (145). Ink on paper. 2 x (25 x 33.7 x 3 cm). Unique
Exhibition view: Céline Condorelli, Museum Hours, Galeria Vera Cortês, 2024
Exhibition view: Céline Condorelli, Museum Hours, Galeria Vera Cortês, 2024
Exhibition view: Céline Condorelli, Museum Hours, Galeria Vera Cortês, 2024
Exhibition view: Céline Condorelli, Museum Hours, Galeria Vera Cortês, 2024
Exhibition view: Céline Condorelli, Museum Hours, Galeria Vera Cortês, 2024
Exhibition view: Céline Condorelli, Museum Hours, Galeria Vera Cortês, 2024
Exhibition view: Céline Condorelli, Museum Hours, Galeria Vera Cortês, 2024
Exhibition view: Céline Condorelli, Museum Hours, Galeria Vera Cortês, 2024
Céline Condorelli, Pentimenti (NG0687), 2023. Giclée print on Hahnemühle Photo Rag. 62.1 x 39 cm. Ed. 2 + AP
Céline Condorelli, Pentimenti (NG0687), 2023. Giclée print on Hahnemühle Photo Rag. 62.1 x 39 cm. Ed. 2 + AP
Céline Condorelli, Pentimenti (NG280), 2023. Giclée print on Hahnemühle Photo Rag. 68 x 45.8 cm. Ed. 2 + AP
Céline Condorelli, Pentimenti (NG280), 2023. Giclée print on Hahnemühle Photo Rag. 68 x 45.8 cm. Ed. 2 + AP
Céline Condorelli, Pentimenti (NG2670), 2023. Giclée print on Hahnemühle Photo Rag. 54.5 x 39 cm. Ed. 2 + AP
Céline Condorelli, Pentimenti (NG2670), 2023. Giclée print on Hahnemühle Photo Rag. 54.5 x 39 cm. Ed. 2 + AP
Céline Condorelli, Pentimenti (NG751), 2023. Giclée print on Hahnemühle Photo Rag. 54.5 x 39 cm. Ed. 2 + AP
Céline Condorelli, Pentimenti (NG751), 2023. Giclée print on Hahnemühle Photo Rag. 54.5 x 39 cm. Ed. 2 + AP
Céline Condorelli, ‘Prologue’, 2022, with ‘Brise Soleil’ (2020), ‘Props’ (2020–22), ‘A Lot for a Little’ (2022), ‘Alteration to Existing Conditions (windows)’. Courtesy the artist and Talbot Rice Gallery
Céline Condorelli, ‘Prologue’, 2022, with ‘Brise Soleil’ (2020), ‘Props’ (2020–22), ‘A Lot for a Little’ (2022), ‘Alteration to Existing Conditions (windows)’. Courtesy the artist and Talbot Rice Gallery
Exhibition view: Céline Condorelli: Pentimenti (The Corrections), 2023 National Gallery Artist in Residence, The National Gallery, London, 2023
Exhibition view: Céline Condorelli: Pentimenti (The Corrections), 2023 National Gallery Artist in Residence, The National Gallery, London, 2023
Céline Condorelli, Bulk: Everlasting Colour, 2023. Printed rug. 640 x 340 cm. Unique. Exhibition view: Céline Condorelli: Pentimenti (The Corrections), The National Gallery, London, 2023
 
 
Céline Condorelli, Bulk: Everlasting Colour, 2023. Printed rug. 640 x 340 cm. Unique. Exhibition view: Céline Condorelli: Pentimenti (The Corrections), The National Gallery, London, 2023
 
 
Céline Condorelli, ouah wau bau (wuff woof), 2022. Installation view: Sculpture Garden, Geneva Biennale, Switzerland. Photo: Julien Gremaud. Courtesy: Sculpture Garden 2022
Céline Condorelli, ouah wau bau (wuff woof), 2022. Installation view: Sculpture Garden, Geneva Biennale, Switzerland. Photo: Julien Gremaud. Courtesy: Sculpture Garden 2022
Celine Condorelli, Conversation Piece (Spinning), 2021, Remai Modern. Photo: Carey Shaw.
Celine Condorelli, Conversation Piece (Spinning), 2021, Remai Modern. Photo: Carey Shaw.
Céline Condorelli, Models for a Qualitative Society, 2016
Painted blackwood acacia, steel
Céline Condorelli, Models for a Qualitative Society, 2016
Painted blackwood acacia, steel
Céline Condorelli. Exhibition view: Revision -part II, Heidelberger Kunstverein, 2022. Photo: Lys Y. Seng
Céline Condorelli. Exhibition view: Revision -part II, Heidelberger Kunstverein, 2022. Photo: Lys Y. Seng
Exhibition view: Céline Condorelli, Diversions, Galeria Vera Cortês, 2022
Exhibition view: Céline Condorelli, Diversions, Galeria Vera Cortês, 2022
Céline Condorelli, Limits To Play (Badmington, Basketball, Football, Pétanque), 2022. Vinyl. 500 x 340 x 290 cm. Unique
Céline Condorelli, Limits To Play (Badmington, Basketball, Football, Pétanque), 2022. Vinyl. 500 x 340 x 290 cm. Unique
Céline Condorelli, 1920 (Football), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1920 (Football), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1921 (Basketball), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 60 x 42,5 cm. Unique
Céline Condorelli, 1921 (Basketball), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 60 x 42,5 cm. Unique
Céline Condorelli, 1977 (Pétanque), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1977 (Pétanque), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1956 (Badmington), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1956 (Badmington), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 42,5 x 60 cm. Unique
Céline Condorelli, 1926 (Marathon), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 60 x 42,5 cm. Unique
Céline Condorelli, 1926 (Marathon), 2022. One colour silkscreen on glass, inkjet on 100% cotton paper. 60 x 42,5 cm. Unique
Céline Condorelli, Brise-Soleil, 2020. Textile, rope, wood, rock. Variable dimensions. Ed. 3 + 1 AP
Céline Condorelli, Brise-Soleil, 2020. Textile, rope, wood, rock. Variable dimensions. Ed. 3 + 1 AP
Céline Condorelli, Props (arrow), 2020. Powder coated steel tubing, concrete stand, potted Philodendron Scandens. 220 x 90 cm (approx.). Unique
Céline Condorelli, Props (arrow), 2020. Powder coated steel tubing, concrete stand, potted Philodendron Scandens. 220 x 90 cm (approx.). Unique
Céline Condorelli, Props (triangles), 2020. Powder coated steel tubing, concrete stand, potted Philodendron Scandens. 220 x 90 cm (approx.). Unique
Céline Condorelli, Props (triangles), 2020. Powder coated steel tubing, concrete stand, potted Philodendron Scandens. 220 x 90 cm (approx.). Unique
Exhibition view: Céline Condorelli with Ben Rivers and Jay Bernard: After Work, South London Gallery, 2022. Photo: Andy Stagg
Exhibition view: Céline Condorelli with Ben Rivers and Jay Bernard: After Work, South London Gallery, 2022. Photo: Andy Stagg
Exhibition view: Céline Condorelli with Ben Rivers and Jay Bernard: After Work, South London Gallery, 2022. Photo: Andy Stagg
Exhibition view: Céline Condorelli with Ben Rivers and Jay Bernard: After Work, South London Gallery, 2022. Photo: Andy Stagg
Céline Condorelli, Study for Tools for Imagination (The playgrounds and play objects of Aldo van Eyck, Amsterdam, 1947- 1968), 2017. One colour silk screen and inkjet print on 100% cotton paper. 119 x 84 cm. Edition of 3 + 1 AP
Céline Condorelli, Study for Tools for Imagination (The playgrounds and play objects of Aldo van Eyck, Amsterdam, 1947- 1968), 2017. One colour silk screen and inkjet print on 100% cotton paper. 119 x 84 cm. Edition of 3 + 1 AP
Céline Condorelli, Pattern Study for Playgrounds (Lina Bo Bardi, first proposal for a Museu de Arte de São Paulo, 1965), 2017. Hand drawing on inkjet print on 100% cotton paper. 119 x 84 cm. Unique
Céline Condorelli, Pattern Study for Playgrounds (Lina Bo Bardi, first proposal for a Museu de Arte de São Paulo, 1965), 2017. Hand drawing on inkjet print on 100% cotton paper. 119 x 84 cm. Unique
Céline Condorelli, Plant Study: Howea Forsteriana, 2018. Wax print on drafting film, stained with watercolour and acrylic ink. 59,4 x 42 cm
Céline Condorelli, Plant Study: Howea Forsteriana, 2018. Wax print on drafting film, stained with watercolour and acrylic ink. 59,4 x 42 cm
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli, Plant Study: Monstera Deliciosa, 2018. Wax print on drafting film, stained with watercolour and acrylic ink. 59,4 x 42 cm
Céline Condorelli, Plant Study: Monstera Deliciosa, 2018. Wax print on drafting film, stained with watercolour and acrylic ink. 59,4 x 42 cm
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
Céline Condorelli, More permanent than snow, 2019. Polyurethane, sand. (17 x) variable dimensions. Ed.1/2
Céline Condorelli, More permanent than snow, 2019. Polyurethane, sand. (17 x) variable dimensions. Ed.1/2
Céline Condorelli, Studies for Tools for Imagination, 2020. Pen and coloured pencil on 25gsm, detail paper, vinyl stickers
Céline Condorelli, Studies for Tools for Imagination, 2020. Pen and coloured pencil on 25gsm, detail paper, vinyl stickers
Céline Condorelli. Exhibition view, Dos años de vacaciones, TEA Tenerife Espacio de las Artes, Tenerife, Spain, 2021
Céline Condorelli. Exhibition view, Dos años de vacaciones, TEA Tenerife Espacio de las Artes, Tenerife, Spain, 2021
Céline Condorelli, Aural Studies, Nottingham Contemporary, 2021
Céline Condorelli, Aural Studies, Nottingham Contemporary, 2021
Céline Condorelli, Revision – part II (2010). Installation view: Cell Project Space, London. Photo: Milika Muritu
Céline Condorelli, Revision – part II (2010). Installation view: Cell Project Space, London. Photo: Milika Muritu
Céline Condorelli. Installation view, Singapore Art Museum, Singapore, 2019. Photograph by Singapore Art Museum
Céline Condorelli. Installation view, Singapore Art Museum, Singapore, 2019. Photograph by Singapore Art Museum
Céline Condorelli. Installation view, Singapore Art Museum, Singapore, 2019. Photograph by Singapore Art Museum
Céline Condorelli. Installation view, Singapore Art Museum, Singapore, 2019. Photograph by Singapore Art Museum
Céline Condorelli. Host/Vœrt, 2019
Installation view, Kunsthal Aarhus, Aarhus. Photograph by Mikkel Kaldal
Céline Condorelli. Host/Vœrt, 2019
Installation view, Kunsthal Aarhus, Aarhus. Photograph by Mikkel Kaldal
Céline Condorelli. Host/Vœrt, 2019
Installation view, Kunsthal Aarhus, Aarhus. Photograph by Mikkel Kaldal
Céline Condorelli. Host/Vœrt, 2019
Installation view, Kunsthal Aarhus, Aarhus. Photograph by Mikkel Kaldal
Céline Condorelli. Installation view, 12th Kaunas Biennal, Lithuania, 2019. Photograph by Adrian Catu
Céline Condorelli. Installation view, 12th Kaunas Biennal, Lithuania, 2019. Photograph by Adrian Catu
Céline Condorelli, Concrete Distractions, Installation view, Kunsthalle Lissabon, 2016
Céline Condorelli, Concrete Distractions, Installation view, Kunsthalle Lissabon, 2016
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
 
Céline Condorelli. Exhibition view: Zanzibar, Galeria Vera Cortês, 2018
 
Céline Condorelli, Epilogue, white, 2018. Locally sourced green corrugated fibreglass, brass, aluminium, steel. 180 × 420 cm. Unique
Céline Condorelli, Epilogue, white, 2018. Locally sourced green corrugated fibreglass, brass, aluminium, steel. 180 × 420 cm. Unique
Céline Condorelli, Epilogue, green, 2018. Locally sourced green corrugated fibreglass, brass, aluminium, steel. 180 × 420 cm. Unique
Céline Condorelli, Epilogue, green, 2018. Locally sourced green corrugated fibreglass, brass, aluminium, steel. 180 × 420 cm. Unique
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 3, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 3, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 5, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 5, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 4, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Proposal for a Qualitative Society (Spinning) 4, 2017. Coloured pencil on sketch paper. 21 x 29.7 cm
Céline Condorelli, Caveman Holes 5, 2017. Masking tape and inkjet print on cotton paper. 110 x 82 cm. Unique
Céline Condorelli, Caveman Holes 5, 2017. Masking tape and inkjet print on cotton paper. 110 x 82 cm. Unique
Céline Condorelli, Proposals for a Qualitative Society (Spinning), 2017. Installation view, Stroom Den Haag. Photograph: Gerrit Schreurs.
Céline Condorelli, Proposals for a Qualitative Society (Spinning), 2017. Installation view, Stroom Den Haag. Photograph: Gerrit Schreurs.
Céline Condorelli, Conversation Piece, 2016. Installation view at MASP, São Paulo Museum of Art
Céline Condorelli, Conversation Piece, 2016. Installation view at MASP, São Paulo Museum of Art
Céline Condorelli, Something Stronger than Skepticism, 2011. Five framed overprint risographs, vegetable dye on newsprint. 5 x (42 x 29,7 cm)
Céline Condorelli, Something Stronger than Skepticism, 2011. Five framed overprint risographs, vegetable dye on newsprint. 5 x (42 x 29,7 cm)
Céline Condorelli, Something Stronger than Skepticism, 2011. Five framed overprint risographs, vegetable dye on newsprint. 5 x (42 x 29,7 cm)
Céline Condorelli, Something Stronger than Skepticism, 2011. Five framed overprint risographs, vegetable dye on newsprint. 5 x (42 x 29,7 cm)
Céline Condorelli, Afterimage 4, 2016. 13 colour silkscreen print on Fabriano Rosaspina 280 gram paper . 70.7 × 50 cm
Céline Condorelli, Afterimage 4, 2016. 13 colour silkscreen print on Fabriano Rosaspina 280 gram paper . 70.7 × 50 cm

Zoom 1 / 63 Céline Condorelli, Untitled (to Rosa Luxemburg) (deta, 2024. Stainless steel, powder coat. 350 x 100 x 54 cm. Unique

Exhibitions

Bio

Céline Condorelli was born in Boulogne-Billancourt/Paris, France, and is a French-Italian-British artist, living and working in London (UK).

Céline Condorelli was the National Gallery’s 2023 Artist in Residence, London.

Condorelli has produced an extensive body of work that develops different possibilities for living and working together, exploring notions such as public space, the commons, institutions, property relations. Condorelli’s practice is committed to a continuous exploration of the less explicit elements that compose the structures through which individuals encounter the world — be they cultural, economic, material, social or political – the apparatuses of visibility that are often taken for granted, and which the artist describes as “support structures”.

Céline Condorelli lives and works between London and Lisbon. A selection of exhibitions and projects include: Pentimenti (The Corrections), National Gallery, London, UK;  Céline Condorelli: After Work, Talbot Rice Gallery, South London Gallery, UK (2022); Our Silver City 2094, Nottingham Contemporary, Nottingham, UK (2022); Dos años de vacaciones, TEA, Tenerife, Spain (2021); Deux ans de vacances, FRAC Lorraine – Metz, France (2020); Ground Control, Bildmuseet, Umeå, Sweden (2020); Every Step in the Right Direction, Singapore Biennial (2019); Art Encounters Biennial, Timisoara, Romania (2019); Céline Condorelli, Kunsthaus Pasquart, Biel, Switzerland (2019); Host / Vært, Kunsthal Aarhus, Denmark (2019); Zanzibar (commissioned sculpture), King’s Cross Projects, London, UK (2019); Geometries, Locus Athens, Greece (2018); Anren Biennale, Chengdu, China (2018); Epilogue, P!, New York, USA (2017); Wall to Wall, Museum of Contemporary Art Leipzig, Germany (2017); Proposals for a Qualitative Society (Spinning), Stroom Den Haag, The Hague, Netherlands (2017); Corps à Corps, IMA Brisbane, Australia (2017); Conversation Piece (commissioned sculptures), MASP, São Paulo, Brazil; Gwangju Biennale, South Korea (2016); Liverpool Biennial, UK (2016); Biennial of Sidney, Australia (2016); Display Show, Stroom den Haag, Eastside Projects, Temple Bar Gallery, The Hague, Birmingham, Dublin (2015–2016); bau bau, HangarBicocca, Milan, Italy (2014).

Céline Condorelli nasceu em Boulogne-Billancourt/Paris, França, e é uma artista franco-italo-britânica que vive e trabalha em Londres (Reino Unido).

Céline Condorelli foi Artista Residente da National Gallery, em Londres, em 2023.

Condorelli vem desenvolvendo um corpo de trabalho extenso sobre as diferentes possibilidades de viver e trabalhar em conjunto, explorando noções como o espaço público, os bens comuns, as instituições e as relações de propriedade. A prática de Condorelli foca a exploração contínua dos elementos menos explícitos que compõem as estruturas através das quais os indivíduos encontram o mundo – sejam elas culturais, económicas, materiais, sociais ou políticas – os aparatos de visibilidade que são muitas vezes tomados como garantidos, e que a artista descreve como “estruturas de apoio”.

Céline Condorelli vive e trabalha entre Londres e Lisboa. Uma seleção de exposições e projectos inclui: Pentimenti (As Correcções), National Gallery, Londres, Reino Unido; Céline Condorelli: After Work, Talbot Rice Gallery, South London Gallery, Reino Unido (2022); Our Silver City 2094, Nottingham Contemporary, Nottingham, Reino Unido (2022); Dos años de vacaciones, TEA, Tenerife, Espanha (2021); Deux ans de vacances, FRAC Lorraine – Metz, França (2020); Ground Control, Bildmuseet, Umeå, Suécia (2020); Every Step in the Right Direction, Bienal de Singapura (2019); Art Encounters Biennial, Timisoara, Roménia (2019); Céline Condorelli, Kunsthaus Pasquart, Biel, Suíça (2019); Host / Vært, Kunsthal Aarhus, Dinamarca (2019); Zanzibar (escultura encomendada), King’s Cross Projects, Londres, Reino Unido (2019); Geometries, Locus Athens, Grécia (2018); Anren Biennale, Chengdu, China (2018); Epilogue, P! , Nova Iorque, EUA (2017); Wall to Wall, Museum of Contemporary Art Leipzig, Alemanha (2017); Proposals for a Qualitative Society (Spinning), Stroom Den Haag, Haia, Holanda (2017); Corps à Corps, IMA Brisbane, Austrália (2017); Conversation Piece (esculturas comissionadas), MASP, São Paulo, Brasil; Bienal de Gwangju, Coreia do Sul (2016); Bienal de Liverpool, Reino Unido (2016); Bienal de Sidney, Austrália (2016); Display Show, Stroom den Haag, Eastside Projects, Temple Bar Gallery, Haia, Birmingham, Dublin (2015-2016); bau bau, HangarBicocca, Milão, Itália (2014).

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