1 / 26 Catarina Dias, Untitled, 2020. Acrylic and gouache on paper in cut wall, metal plate. Glued A3 inkjet print on fabric.
Exhibitions
-
Mamute, Galeria Vera Cortês, 2019
-
Digging for fire in a long multilayered stream. Thoughts. Sounds. SensationsMovements melt together in such condensation transpiring its own taking placeHere. Now. And elsewhere, Galeria Vera Cortês, 2015
-
Residual Share, Galeria Vera Cortês, 2013
-
Mystic Diver, Galeria Vera Cortês, 2010
-
Resto, Galeria Vera Cortês, 2007
Bio
Taking place
Its clear that you will never find what you are looking for here.
But don’t distant yourself… because I need you. I need you present. I need your attention, your body, your voice. The space between us, or shall I say between Us and the Work, is in itself the on-going place that we need, together to reconstruct, to find.
A place. To sustain a place
A body. To find a body
A word. To find a voice
There is silence as there is distortion. Inaudible. But here.
Each poem, some of them cut open, on the page of each drawing have a phosphorescent light. Emanating, calling you to enter.
Some words we will find written inverted as to include you within an incarnated poetry.
To see differently.
What Happens?
Catarina Dias lives and works in Lisbon.
A selection of her solo exhibitions includes: Mamute, Galeria Vera Cortês (Lisbon, 2019); This is Heat, Old School (Lisbon, 2016); Digging for fire in a long multilayered stream. Thoughts. Sounds. Sensations Movements melt together in such condensation transpiring its own taking place Here. Now. And elsewhere, Vera Cortês Art Agency and Appleton Square (Lisbon, 2015); Gradients (2015); Residual Share, Vera Cortês Art Agency (Lisbon, 2013); clone MYD, Espaço Avenida (Lisbon, 2011); MYSTIC DIVER, Pavilhão Preto, Galerias Municipais de Lisboa (2010) and RESTO, Vera Cortês Art Agency (Lisbon, 2007).
Her work has been featured in group exhibitions in institutions and galleries such as: Uppercut (Lisbon, 2019); Museu de Arte Contemporânea de Elvas (Elvas, 2018); Galeria Municipal do Porto (2017), BREGAS (Lisbon, 2017), Ar Sólido (Lisbon, 2016); Módulo, (Lisbon, 2014); Parkour (Lisbon, 2013); EDP Foundation, Lisbon (2011 and 2009); 13, Avenida 211 (Lisbon, 2008); Interpress (Lisbon, 2005); R.K. Burt Gallery (London, 2004) and Nylon Gallery (London, 2003).
Since 2006 been collaborating with Sofia Dias & Vítor Roriz where a very close complicity has been drawn between and through their lived experience and their works.
Catarina Dias vive e trabalha em Lisboa.
Uma seleção de exposições individuais inclui: Mamute, Galeria Vera Cortês (Lisboa, 2019); This is Heat, Old School (Lisboa, 2016); Digging for fire in a long multilayered stream. Thoughts. Sounds. Sensations Movements melt together in such condensation transpiring its own taking place Here. Now. And elsewhere, Vera Cortês Art Agency and Appleton Square (Lisboa, 2015); Gradients (2015); Residual Share, Vera Cortês Art Agency (Lisboa, 2013); clone MYD, Espaço Avenida (Lisboa, 2011); MYSTIC DIVER, Pavilhão Preto, Galerias Municipais de Lisboa (2010) e RESTO, Vera Cortês Art Agency (Lisboa, 2007).
O trabalho de Catarina Dias foi apresentado em exposições coletivas em instituções e galerias como: Uppercut (Lisboa, 2019); Museu de Arte Contemporânea de Elvas (Elvas, 2018); Galeria Municipal do Porto (2017); BREGAS (Lisboa, 2017); Ar Sólido (Lisboa, 2016); Módulo (Lisboa, 2014); Parkour (Lisboa, 2013); Fundação EDP, Lisbon (2011 e 2009); 13, Avenida 211 (Lisbon, 2008); Interpress (Lisboa, 2005); R.K. Burt Gallery (Londres, 2004) e Nylon Gallery (Londres, 2003).
Desde 2016 tem vindo a colaborar com Sofia Dias & Vítor Roriz com quem tem criado muita cumplicidade através da sua experiência vivida e das suas obras.
