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André Romão / Works

André Romão, Alien kin II, 2020. Mussels, peacock feathers (plexiglas, hot glue)33 x 20 x 23 cm
André Romão, Alien kin II, 2020. Mussels, peacock feathers (plexiglas, hot glue)33 x 20 x 23 cm

Zoom / André Romão, Alien kin II, 2020. Mussels, peacock feathers (plexiglas, hot glue)33 x 20 x 23 cm

André Romão, Demonic possession / Erotic self expression, 2020 . Sculptural fragment (plaster, England, 1980s), cut flowers and greenery. 120 x 40 x 28 cm
André Romão, Demonic possession / Erotic self expression, 2020 . Sculptural fragment (plaster, England, 1980s), cut flowers and greenery. 120 x 40 x 28 cm

Zoom / André Romão, Demonic possession / Erotic self expression, 2020 . Sculptural fragment (plaster, England, 1980s), cut flowers and greenery. 120 x 40 x 28 cm

André Romão, Pierna izquierda, 2019. Sculptural fragment (wood, Portugal, early 20th century), pheasant. 27 x 9 x 41 cm
André Romão, Pierna izquierda, 2019. Sculptural fragment (wood, Portugal, early 20th century), pheasant. 27 x 9 x 41 cm

Zoom / André Romão, Pierna izquierda, 2019. Sculptural fragment (wood, Portugal, early 20th century), pheasant. 27 x 9 x 41 cm

André Romão, Pé (bronze), 2020. Bronze, cut flowers, greenery. 20 x 25 x 13 cm
André Romão, Pé (bronze), 2020. Bronze, cut flowers, greenery. 20 x 25 x 13 cm

Zoom / André Romão, Pé (bronze), 2020. Bronze, cut flowers, greenery. 20 x 25 x 13 cm

André Romão, Moonrise, 2019. Plexiglas. ø 100 cm
André Romão, Moonrise, 2019. Plexiglas. ø 100 cm

Zoom / André Romão, Moonrise, 2019. Plexiglas. ø 100 cm

André Romão, Hand (for Lourdes), 2020. Wooden sculptural fragment (England, date unknown), branch of lemon tree, plexiglas. 166 x 100 x 50 cm
André Romão, Hand (for Lourdes), 2020. Wooden sculptural fragment (England, date unknown), branch of lemon tree, plexiglas. 166 x 100 x 50 cm

Zoom / André Romão, Hand (for Lourdes), 2020. Wooden sculptural fragment (England, date unknown), branch of lemon tree, plexiglas. 166 x 100 x 50 cm

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André Romão, Small dancer, 2020. Mussels, plexiglas. 65 x 40 x 30 cm
André Romão, Small dancer, 2020. Mussels, plexiglas. 65 x 40 x 30 cm

Zoom / André Romão, Small dancer, 2020. Mussels, plexiglas. 65 x 40 x 30 cm

André Romão, Pie, 2019. Plexiglas, sculptural fragment (plaster, after the antique, Spain, 2019), flowers. 25,5 x 28 x 10 cm (sculpture); 80 x 100 x 25 cm (plinth)
André Romão, Pie, 2019. Plexiglas, sculptural fragment (plaster, after the antique, Spain, 2019), flowers. 25,5 x 28 x 10 cm (sculpture); 80 x 100 x 25 cm (plinth)

Zoom / André Romão, Pie, 2019. Plexiglas, sculptural fragment (plaster, after the antique, Spain, 2019), flowers. 25,5 x 28 x 10 cm (sculpture); 80 x 100 x 25 cm (plinth)

André Romão, Pearl, 2020. Goat’s jaw, river pearl
André Romão, Pearl, 2020. Goat’s jaw, river pearl

Zoom / André Romão, Pearl, 2020. Goat’s jaw, river pearl

André Romão, Cabeza (el hambre del monstruo), 2019. Sculpture fragment (plaster, England 1980), quartz geode, monster munch box. 58,5 x 29,5 x 28,5 cm
André Romão, Cabeza (el hambre del monstruo), 2019. Sculpture fragment (plaster, England 1980), quartz geode, monster munch box. 58,5 x 29,5 x 28,5 cm

Zoom / André Romão, Cabeza (el hambre del monstruo), 2019. Sculpture fragment (plaster, England 1980), quartz geode, monster munch box. 58,5 x 29,5 x 28,5 cm

André Romão, Cabeza (el hambre del monstruo), 2019 (detail). Sculpture fragment (plaster, England 1980), quartz geode, monster munch box. 58,5 x 29,5 x 28,5 cm
André Romão, Cabeza (el hambre del monstruo), 2019 (detail). Sculpture fragment (plaster, England 1980), quartz geode, monster munch box. 58,5 x 29,5 x 28,5 cm

Zoom / André Romão, Cabeza (el hambre del monstruo), 2019 (detail). Sculpture fragment (plaster, England 1980), quartz geode, monster munch box. 58,5 x 29,5 x 28,5 cm

André Romão. Exhibition view: Um oásis ao entardecer (An oasis at sunset) – EDP Foundation Awards 20th Anniversary, curated by Inês Grosso and Rosa Lleó, MAAT, Lisbon, Portugal. October 2020 – February 2021.
André Romão. Exhibition view: Um oásis ao entardecer (An oasis at sunset) – EDP Foundation Awards 20th Anniversary, curated by Inês Grosso and Rosa Lleó, MAAT, Lisbon, Portugal. October 2020 – February 2021.

Zoom / André Romão. Exhibition view: Um oásis ao entardecer (An oasis at sunset) – EDP Foundation Awards 20th Anniversary, curated by Inês Grosso and Rosa Lleó, MAAT, Lisbon, Portugal. October 2020 – February 2021.

André Romão, Sunrise (Odontolabis Dakmani / John Chamberlain’s Scotch Vapour), 2017. Digital print on paper. 80 x 70 cm
André Romão, Sunrise (Odontolabis Dakmani / John Chamberlain’s Scotch Vapour), 2017. Digital print on paper. 80 x 70 cm

Zoom / André Romão, Sunrise (Odontolabis Dakmani / John Chamberlain’s Scotch Vapour), 2017. Digital print on paper. 80 x 70 cm

André Romão, Sunrise (Theodosia Rodiguezi / John Chamberlain’s Scotch Vapour), 2017. Digital print on paper. 80 x 70 c
André Romão, Sunrise (Theodosia Rodiguezi / John Chamberlain’s Scotch Vapour), 2017. Digital print on paper. 80 x 70 c

Zoom / André Romão, Sunrise (Theodosia Rodiguezi / John Chamberlain’s Scotch Vapour), 2017. Digital print on paper. 80 x 70 c

André Romão. The un-public, 2014-2019. Poster (Calvin Klein corporation, 1993), shell. 20 x 70 x 50 cm
André Romão. The un-public, 2014-2019. Poster (Calvin Klein corporation, 1993), shell. 20 x 70 x 50 cm

Zoom / André Romão. The un-public, 2014-2019. Poster (Calvin Klein corporation, 1993), shell. 20 x 70 x 50 cm

Exhibition view: Fauna, André Romão, Museu Coleção Berardo, Lisbon, 2019
Exhibition view: Fauna, André Romão, Museu Coleção Berardo, Lisbon, 2019

Zoom / Exhibition view: Fauna, André Romão, Museu Coleção Berardo, Lisbon, 2019

Exhibition view: Fauna, André Romão, Museu Coleção Berardo, Lisbon, 2019
Exhibition view: Fauna, André Romão, Museu Coleção Berardo, Lisbon, 2019

Zoom / Exhibition view: Fauna, André Romão, Museu Coleção Berardo, Lisbon, 2019

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Exhibition view: Restless, André Romão, 2015
Exhibition view: Restless, André Romão, 2015

Zoom / Exhibition view: Restless, André Romão, 2015

André Romão, Shell (mineral eroticism) 1, 2015. C-print 62.5 × 75 cm
André Romão, Shell (mineral eroticism) 1, 2015. C-print 62.5 × 75 cm

Zoom / André Romão, Shell (mineral eroticism) 1, 2015. C-print 62.5 × 75 cm

André Romão, Shell (mineral eroticism) 4, 2015. C-print 62.5 × 75 cm
André Romão, Shell (mineral eroticism) 4, 2015. C-print 62.5 × 75 cm

Zoom / André Romão, Shell (mineral eroticism) 4, 2015. C-print 62.5 × 75 cm

André Romão, The Western Frieze (Gatherings), 2016- HD video 16:9, 11’00. Exhibition view: Monster Dresses in Mirrors, Syntax, Lisbon, 2016
André Romão, The Western Frieze (Gatherings), 2016- HD video 16:9, 11’00. Exhibition view: Monster Dresses in Mirrors, Syntax, Lisbon, 2016

Zoom / André Romão, The Western Frieze (Gatherings), 2016- HD video 16:9, 11’00. Exhibition view: Monster Dresses in Mirrors, Syntax, Lisbon, 2016

André Romão, Vitruvio, 2010. Lambda
André Romão, Vitruvio, 2010. Lambda

Zoom / André Romão, Vitruvio, 2010. Lambda

Exhibitions

Bio

André Romão lives and works in Lisbon. His practice has been dealing with the human aspects hiding in cultural and economical systems of production, exploring the confrontation of macro and micro structures in contemporary society through an ‘against the grain’ research on economics, eroticism, violence, and appropriation.

A selection of his solo exhibitions includes: Museu Berardo, Lisbon (2019); BoCA Biennial, Braga (2019); Galeria Vera Cortês, Lisbon (2018, 2015); García Galería, Madrid (2017); Syntax, Lisbon (2016); Kunstraum Botschaft, Berlin (2016); The Green Parrot, Barcelona (2015); MACRO – Museo d’Arte Contemporanea, Rome (2014); Middelheim Museum, Antwerp (2012); Galleria Umberto di Marino, Naples (2011); Kunstlerhaus Bethanien, Berlin (2010) and Kunsthalle Lissabon (2010).
His work has been featured in group exhibitions in institutions and galleries such as MAAT, Lisbon (2020, 2017); Abbaye Saint André Centre d’ art contemporain, Meymac (2018); Museu de Arte Contemporânea de Elvas (2017); CentroCentro, Madrid (2016); FUTURA, Prague (2016), CAPC musée d’art contemporain, Bordeux (2015); Astrup Fearnley Museet, Olso (2014); Serralves Museum, Oporto (2013 and 2010); Galerie Kamm, Berlin (2013); PhotoCairo 5, Cairo (2012); Fundação Calouste Gulbenkian, Lisbon (2010); Museu da Cidade, Lisbon (2009); Spike Island Art Center, Bristol (2008), among others.

André Romão is co-editor of ATLAS Projectos since 2007.

André Romão nasceu em Lisboa, Portugal, em 1984, onde vive e trabalha. O seu trabalho tem lidado com os aspectos humanos ocultos nos sistemas culturais e económicos de produção, explorando o confronto de micro e macro-estruturas na sociedade contemporânea através de uma pesquisa nos campos da economia, erotis- mo, violência e apropriação.

Uma seleção das suas exposições individuais inclui: MAAT, Lisboa (2020, 2017); Museu Berardo, Lisboa (2019); BoCA Biennial, Braga (2019); Galeria Vera Cortês, Lisboa (2018, 2015), García Galería, Madrid (2017); Syntax, Lisboa (2016); Kunstraum Botschaft, Berlim (2016); The Green Parrot, Barcelona (2015); MACRO – Museo d’Arte Contemporânea, Roma (2014); Middelheim Museum, Antuérpia (2012); Galleria Umberto di Marino, Nápoles (2011); Kunstlerhaus Bethanien, Berlim (2010) e Kunsthalle Lissabon (2010). O seu trabalho tem sido incluído em exposições coletivas em insti- tuições e galerias tais como: Abbaye Saint André Centre d’ art contemporain, Meymac (2018); Museu de Arte Contemporânea de Elvas (2017); CentroCentro, Madrid (2016); FUTURA, Praga (2016); CAPC musée d’art contem- porain, Burdeos (2015); Astrup Fearnley Museet, Olso (2014); Museu de Serralves, Porto (2013 e 2010); Galerie Kamm, Berlim (2013); PhotoCairo 5,  Cairo (2012); Fundação Calouste Gulbenkian, Lisboa (2010); Museu da Cidade, Lisboa (2009); Spike Island Art Center, Bristol (2008), entre outros.

É co-editor do ATLAS projectos desde 2007.

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