(Düsseldorf, 1975)

 

Daniel Gustav Cramer lives and works in Berlin.

   A selection of his solo shows includes: 

Four Works, Tongewölbe T25 (Ingoldstadt, 2018), Five Days, Entrée (Bergen, 2017), Five Works, Verksmiðjan á Hjalteyri (Iceland, 2017), Fourteen Works, Galeria Vera Cortês (Lisbon, 2017), Rainbow, E-Werk (Freiburg,2016), Nineteen, CAC Contemporary Art Centre (Vilnius, 2016), Sixteen Works, BolteLang Galerie (Zurich, 2015); Kunstverein Nürnberg (2015);The Infinite Library, Vila du parc, Centre d’art contemporain (Annemasse, 2015); Three, Kunstsaele (Berlin, 2015); Tales, Vera Cortês Art Agency (Lisbon, 2014); Fifteen Works, Sies & Höke (Dusseldorf, 2014); 01-72, SALTS (Basel, 2014); Kunsthalle Mulhouse (2013); Kunsthalle Lissabon (Lisbon, 2012); The Infinite Library, Museo di Palazzo Poggi (Bologna, 2010).

   Some of the collective exhibitions in which he has participated include Strange Days, FRAC Ile de France (Paris, 2017); The Arcades: Contemporary Art and Walter Benjamin, The Jewish Museum (New York, 2017); Viaja y no lo escribas, La Casa Encendida (Madrid, 2016); N(v)otre H(h)istoire, Centre d’Art Bastille (Grenoble, 2016); Eppur si muove - Art et technique, un space partagé, Mudam (Luxembourg, 2015); Phenomenon, organised by Collection Kerenidis Pepe (Anafi, 2015); Accadra Domani, Museo Marino Marini (Florence, 2015); Terra Incognita, KIT/ Kunsthalle (Düsseldorf, 2015); Construire une Collection, Villa Paloma, Nouveau Musée Le National (Monaco, 2015); An Infinite Conversation, Museu Coleção Berardo (Lisbon, 2014); Dreams That Money Can’t Buy, Maxxi (Rome, 2014) and dOCUMENTA(13) (Kassel, 2012). 

   A selection of Daniel Gustav Cramer recent publications includes the series Tales (photographic works accompanied by publications, 2011 - ongoing); 01–72 ( a two-part publication on the occasion of the exhibition at SALTS, Basel, published by Christophe Daviet-Thery and Samuel Leuenberger, 2014); Daniel Gustav Cramer and Haris Epaminonda: Early Summer/ The End of Summer/ Late Autumn (Kunsthalle Lissabon and Mousse, 2014); XVI (Kunsthalle Lissabon, documenta 13 and Samsa, 2014) and Thirty-Six (The Green Box, 2010).

 

 

Daniel Gustav Cramer vive e trabalha em Berlim.

   Uma selecção das suas exposições individuais inclui: Four Works, Tongewölbe T25 (Ingoldstadt, 2018), Five Days, Entrée (Bergen, 2017), Five Works, Verksmiðjan á Hjalteyri (Islandia, 2017), Fourteen Works, Galeria Vera Cortês (Lisbon, 2017), Rainbow, E-Werk (Freiburg,2016), Nineteen, CAC Contemporary Art Centre (Vilnius, 2016), Sixteen Works, BolteLang Galerie (Zurique, 2015); Kunstverein Nürnberg (2015);The Infinite Library, Vila du parc - Centre d’art contemporain (Annemasse, 2015); Three, Kunstsaele (Berlim, 2015); Tales, Vera Cortês Art Agency (Lisboa, 2014); Fifteen Works, Sies & Höke (Dusseldorf, 2014); 01-72, SALTS (Basileia, 2014); Kunsthalle Mulhouse (2013); Kunsthalle Lissabon (Lisboa, 2012); The Infinite Library, Museo di Palazzo Poggi (Bolonha, 2010).

   Das exposições coletivas em que participou, destacam-se Strange Days, FRAC Ile de France (Paris, 2017); The Arcades: Contemporary Art and Walter Benjamin, The Jewish Museum (Nova Iorque, 2017); Viaja y no lo escribas, La Casa Encendida (Madrid, 2016); N(v)otre H(h)istoire, Centre d’Art Bastille (Grenoble, 2016); Eppur si muove - Art et technique, un space partagé, Mudam (Luxemburgo, 2015); Phenomenon, organizada pela Collection Kerenidis Pepe (Anafi, 2015); Accadra Domani, Museo Marino Marini (Florença, 2015); Terra Incognita, KIT/ Kunsthalle (Düsseldorf, 2015); Construire une Collection, Villa Paloma, Nouveau Musée Le National (Mónaco, 2015); An Infinite Conversation, Museu Coleção Berardo (Lisboa, 2014); Dreams That Money Can’t Buy, Maxxi (Roma, 2014) e dOCUMENTA(13) (Kassel, 2012). 

   Uma selecção das publicações mais recentes de Daniel Gustav Cramer inclui a série Tales (trabalhos fotográficos acompanhados de publicações, 2011 - presente); 01–72 (uma publicação em duas partes, no contexto da exposição em SALTS, Basileia, publicada por Christophe Daviet-Thery e Samuel Leuenberger, 2014); Daniel Gustav Cramer and Haris Epaminonda: Early Summer/ The End of Summer/ Late Autumn (Kunsthalle Lissabon e Mousse, 2014); XVI (Kunsthalle Lissabon, dOCUMENTA(13) e Samsa, 2014) e Thirty-Six (The Green Box, 2010).