1 / 65 Exhibition view: Daniel Gustav Cramer, Objects, Galeria Vera Cortês, 2023
Exhibitions
-
Objects, Galeria Vera Cortês, 2023
-
Much Ado About Nothing – Group exhibition curated by Vasa J. Perović, Galeria Vera Cortês, 2023
-
Portraits (and so castles made of sand melt into the sea eventually), Galeria Vera Cortês, 2021
-
Daniel Gustav Cramer + Joana Escoval, Galeria Vera Cortês, 2020
-
Fourteen Works, Galeria Vera Cortês, 2017
-
Tales, Galeria Vera Cortês, 2014
-
Twelve works, Galeria Vera Cortês, 2009
-
Daniel Gustav Cramer, Galeria Vera Cortês, 2007
Bio
Daniel Gustav Cramer (1975, Düsseldorf) lives and works in Berlin. A selection of his solo shows and projects includes: Empty Room II (Nagano, 2020); Two Works, Musée d’art et d’archéologie Aurillac (2020); The Infinite Library, Fabra I Coats, Barcelona (2020); Four Works, Tongewölbe T25 (Ingoldstadt, 2018); Five Days, Entrée (Bergen, 2017); Five Works, Verksmijan á Hjalteyri (Iceland, 2017); Fourteen Works, Galeria Vera Cortês (Lisbon, 2017); Rainbow, E-Werk (Freiburg,2016); Nineteen, CAC Contemporary Art Centre (Vilnius, 2016); Sixteen Works, BolteLang Galerie (Zurich, 2015); Kunstverein Nürnberg (2015); The Infinite Library, Vila du parc, Centre d’art contemporain (Annemasse, 2015); Three, Kunstsaele (Berlin, 2015); Tales, Vera Cortês Art Agency (Lisbon, 2014); Fifteen Works, Sies & Höke (Düsseldorf, 2014); 01-72, SALTS (Basel, 2014); Kunsthalle Mulhouse (2013); Kunsthalle Lissabon (Lisbon, 2012); The Infinite Library, Museo di Palazzo Poggi (Bologna, 2010). Some of the collective exhibitions in which he has participated include When in doubt, go to a museum, City Museum of Ljubjana (2021); Constellations: A choreography of minor gestures, Berardo Museum (Lisbon, 2019); Strange Days, FRAC Ile de France (Paris, 2017); The Arcades: Contemporary Art and Walter Benjamin, The Jewish Museum (New York, 2017); Viaja y no lo escribas, La Casa Encendida (Madrid, 2016); N(v)otre H(h)istoire, Centre d’Art Bastille (Grenoble, 2016); Eppur si muove – Art et technique, un space partagé, Mudam (Luxembourg, 2015); Phenomenon, organised by Collection Kerenidis Pepe (Anafi, 2015); Accadra Domani, Museo Marino Marini (Florence, 2015); Terra Incognita, KIT/ Kunsthalle (Düsseldorf, 2015); Construire une Collection, Villa Paloma, Nouveau Musée Le National (Monaco, 2015); An Infinite Conversation, Museu Coleção Berardo (Lisbon, 2014); Dreams That Money Can’t Buy, Maxxi (Rome, 2014) and dOCUMENTA(13), Kassel (2012). A selection of Daniel Gustav Cramer recent publications includes the series Tales (photographic works accompanied by publications, 2011 – ongoing); Call of the Wild, 2021 (published by Christophe Daviet Thery); Light of the Day, 2021 (published by Yvon Lambert and Galerie Allen); 01–72 ( a two-part publication on the occasion of the exhibition at SALTS, Basel, published by Christophe Daviet-Thery and Samuel Leuenberger, 2014); Daniel Gustav Cramer and Haris Epaminonda: Early Summer/ The End of Summer/ Late Autumn (Kunsthalle Lissabon and Mousse, 2014); XVI (Kunsthalle Lissabon, documenta 13 and Samsa, 2014) and Thirty-Six (The Green Box, 2010). The Infinite Library Book 01-50 (published by New Documents, Los Angeles) and Untitled (published by Dumont Gallery) are coming soon.
Daniel Gustav Cramer vive e trabalha em Berlim. Uma selecção das suas exposições individuais inclui: Empty Room II (Nagano, 2020); Two Works, Musée d’art et d’archéologie Aurillac (2020); The Infinite Library, Fabra I Coats, Barcelona (2020); Four Works, Tongewölbe T25 (Ingoldstadt, 2018); Five Days, Entrée (Bergen, 2017); Five Works, Verksmijan á Hjalteyri (Islândia, 2017); Fourteen Works, Galeria Vera Cortês (Lisboa, 2017); Rainbow, E-Werk (Friburgo, 2016); Nineteen, CAC Contemporary Art Centre (Vilnius, 2016); Sixteen Works, BolteLang Galerie (Zurique, 2015); Kunstverein Nürnberg (2015); The Infinite Library, Vila du parc, Centre d’art contemporain (Annemasse, 2015); Three, Kunstsaele (Berlim, 2015); Tales, Vera Cortês Art Agency (Lisboa, 2014); Fifteen Works, Sies & Höke (Düsseldorf, 2014); 01-72, SALTS (Basileia, 2014); Kunsthalle Mulhouse (2013); Kunsthalle Lissabon (Lisboa, 2012); The Infinite Library, Museo di Palazzo Poggi (Bolonha, 2010). Das exposições coletivas em que participou, destacam-se When in doubt, go to a museum, Museu da Cidade de Ljubjana (2021); Constellations: A choreography of minor gestures, Museu Coleção Berardo (Lisboa, 2019); Strange Days, FRAC Ile de France (Paris, 2017); The Arcades: Contemporary Art and Walter Benjamin, The Jewish Museum (Nova Iorque, 2017); Viaja y no lo escribas, La Casa Encendida (Madrid, 2016); N(v)otre H(h)istoire, Centre d’Art Bastille (Grenoble, 2016); Eppur si muove – Art et technique, un space partagé, Mudam (Luxemburgo, 2015); Phenomenon, Collection Kerenidis Pepe (Anafi, 2015); Accadra Domani, Museo Marino Marini (Florença, 2015); Terra Incognita, KIT/ Kunsthalle (Düsseldorf, 2015); Construire une Collection, Villa Paloma, Nouveau Musée Le National (Mónaco, 2015); An Infinite Conversation, Museu Coleção Berardo (Lisboa, 2014); Dreams That Money Can’t Buy, Maxxi (Roma, 2014) e dOCUMENTA(13), Kassel (2012). Uma selecção dos livros mais recentes de Daniel Gustav Cramer inclui a série Tales (trabalhos fotográficos acompanhados de publicações, 2011 – presente); Call of the Wild, 2021 (publicado por Christophe Daviet Thery); Light of the Day, 2021 (publicado por Yvon Lambert e Galerie Allen); 01–72 (uma publicação em duas partes, no contexto da exposição em SALTS, Basel, publicada por Christophe Daviet-Thery e Samuel Leuenberger, 2014); Daniel Gustav Cramer and Haris Epaminonda: Early Summer/ The End of Summer/ Late Autumn (Kunsthalle Lissabon e Mousse, 2014); XVI (Kunsthalle Lissabon, documenta 13 e Samsa, 2014) e Thirty-Six (The Green Box, 2010). Em breve serão editados The Infinite Library Book 01-50 (publicado por New Documents, Los Angeles) e Untitled (publicado por Dumont Gallery).
