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Exhibition view: Zanzibar, Céline Condorelli, Galeria Vera Cortês, 2018

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Exhibition view: Zanzibar, Céline Condorelli, Galeria Vera Cortês, 2018

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Céline Condorelli

Plant Study: Monstera Deliciosa, 2018

Wax print on drafting film, stained with watercolour and acrylic ink

59,4 x 42 cm

 

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Céline Condorelli

Plant Study: Howea Forsteriana, 2018

Wax print on drafting film, stained with watercolour and acrylic ink

59,4 x 42 cm

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Céline Condorelli

Proposal for a Qualitative Society (Spinning) 3, 2017

Coloured pencil on sketch paper

21 x 29.7 cm

 

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Céline Condorelli

Proposal for a Qualitative Society (Spinning) 5, 2017

Coloured pencil on sketch paper

21 x 29.7 cm

 

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Céline Condorelli

Caveman Holes 5, 2017

Masking tape and inkjet print on cotton paper

110 x 82 cm

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Céline Condorelli

Untitled, 2017

Masking tape on wall

260 x 300 cm

 

Exhibition view at The pull of a well placed comma at MACE Museu de Arte Contemporânea de Elvas, 2018

 

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Céline Condorelli

Study for The Model (Palle Nielsen, A Model for a Qualitative Society, Moderna Museet Stockholm, 1968)2017

Inkjet print on 100% cotton paper

119 × 84 cm

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Céline Condorelli

Study for Tools for Imagination (The playgrounds and play objects of Aldo van Eyck, Amsterdam, 1947-1968), 2017

Inkjet print on 100% cotton paper

119 × 84 cm

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Céline Condorelli

Installation view: Zanzibar, Kings Cross Project, London (photo: Thierry Bal)

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Céline Condorelli

Installation view: Corps á Corps, sculpture garden, building site, IMA, Brisbane

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Céline Condorelli

Epilogue, 2017

Exhibition view at IMA Brisbane, Australia

Photo by Jaala Alex

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Céline Condorelli

Average Spatial Compositions I, 2016

Mild steel, plywood, upholstery, fabric, paint

168 × 129 × 100 cm

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Céline Condorelli

Average Spatial Compositions I (detail), 2016

Mild steel, plywood, upholstery, fabric, paint

168 × 129 × 100 cm

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Céline Condorelli

bau bau bau, 2015

Colour inkjet print on 115 gsm MG Blueback paper

Average Spatial Compositions2015

Mild steel, plywood, upholstery, fabric, paint

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Céline Condorelli

How Things Appear, after Carlo Scarpa, 2016; Afterimage 4, 2016

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Céline Condorelli
Portal: Chinatown, 2016

Installation view at Cains Brewery, Liverpool Biennial 2016 (Photo: Mark McNulty)

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Céline Condorelli

How Things Appear, after Carlo Scarpa, 2016; Afterimage 5, 2016

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Céline Condorelli

Proposals for a Qualitative Society (Spinning) 3, BPD, Amsterdam

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Céline Condorelli

Models for a Qualitative Society, 2016
Painted blackwood acacia, steel

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Céline Condorelli

Models for a Qualitative Society, 2016
Painted blackwood acacia, steel

Installation view, Kunsthalle Lissabon, 2016

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Céline Condorelli

Conversation Piece, 2016

Installation view at MASP, São Paulo Museum of Art

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Céline Condorelli

Conversation Piece, 2016

Installation view at MASP, São Paulo Museum of Art

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Céline Condorelli

Corps à Corps [Head On], Gwangju Biennale, 2016.

Photo by J. Arens

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Céline Condorelli
Nerofumo [Carbon Black], 2014 (detail)
Exhibition bau bau, curated by Andrea Lissoni, Pirelli HangarBicocca, 2015

 

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Céline Condorelli

Contact Patch, (Register of Collective Labour, Pirelli Factory, Settimo Torinese) I, 2016

Photo polymer print on 100% cotton paper 

Edition of 3 

 

 

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Céline Condorelli

Contact Patch, (Register of Collective Labour, Pirelli Factory, Settimo Torinese) II, 2016

Photo polymer print on 100% cotton paper 

Edition of 3

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Céline Condorelli

Concrete Distractions, Installation view, Kunsthalle Lissabon, 2016

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Céline Condorelli
Afterimage 4, 2016

13 colour silkscreen print on Fabriano Rosaspina 280 gram paper 

70.7 × 50 cm