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Céline Condorelli

Study for The Model (Palle Nielsen, A Model for a Qualitative Society, Moderna Museet Stockholm, 1968)2017

Inkjet print on 100% cotton paper

119 × 84 cm

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Céline Condorelli

Study for Tools for Imagination (The playgrounds and play objects of Aldo van Eyck, Amsterdam, 1947-1968), 2017

Inkjet print on 100% cotton paper

119 × 84 cm

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Céline Condorelli

Epilogue, 2017

Exhibition view at IMA Brisbane, Australia

Photo by Jaala Alex

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Céline Condorelli

How Things Appear, after Carlo Scarpa, 2016; Afterimage 4, 2016

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Céline Condorelli
Portal: Chinatown, 2016

Installation view at Cains Brewery, Liverpool Biennial 2016 (Photo: Mark McNulty)

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Céline Condorelli

How Things Appear, after Carlo Scarpa, 2016; Afterimage 5, 2016

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Céline Condorelli

Models for a Qualitative Society, 2016
Painted blackwood acacia, steel

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Céline Condorelli

Models for a Qualitative Society, 2016
Painted blackwood acacia, steel

Installation view, Kunsthalle Lissabon, 2016

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Céline Condorelli

Conversation Piece, 2016

Installation view at MASP, São Paulo Museum of Art

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Céline Condorelli

Conversation Piece, 2016

Installation view at MASP, São Paulo Museum of Art

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Céline Condorelli

Corps à Corps [Head On], Gwangju Biennale, 2016.

Photo by J. Arens

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Céline Condorelli
Nerofumo [Carbon Black], 2014 (detail)
Exhibition bau bau, curated by Andrea Lissoni, Pirelli HangarBicocca, 2015

 

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Céline Condorelli

Contact Patch, (Register of Collective Labour, Pirelli Factory, Settimo Torinese) I, 2016

Photo polymer print on 100% cotton paper 

Edition of 3 

 

 

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Céline Condorelli

Contact Patch, (Register of Collective Labour, Pirelli Factory, Settimo Torinese) II, 2016

Photo polymer print on 100% cotton paper 

Edition of 3

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Céline Condorelli

Concrete Distractions, Installation view, Kunsthalle Lissabon, 2016

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Céline Condorelli

bau bau bau, 2015

Colour inkjet print on 115 gsm MG Blueback paper

Average Spatial Compositions2015

Mild steel, plywood, upholstery, fabric, paint

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Céline Condorelli
A Bras Le Corps (to Amalia Pica), 2014
Installation view, Chisenhale gallery (Photo: Andy Keate)